Jerusalem, the City of Herod and SaladinBesant, Walter
History
Jerusalem, the City of Herod and Saladin
Besant, Walter
Jerusalem -- Description and travel; Jerusalem -- History
“First of all,[25] he adorned the sacred cave itself, as the chief
part of the whole work, and the hallowed monument at which the
angel, radiant with light, had once declared to all that
regeneration which was first manifested in the Saviour’s person.
This monument, therefore, as the chief part of the whole, the
emperor’s zealous magnificence beautified with rare columns, and
profusely enriched with the most splendid decorations of every kind.
Footnote 25:
Euseb. ‘Life of Constantine,’ iii. ch. xxxiii. _et seq._
“The next object of his attention was a space of ground of great
extent, and open to the pure air of heaven. This he adorned with a
pavement of finely polished stone, and enclosed it on three sides
with porticoes of great length. At the side opposite to the
sepulchres, which was the eastern side, the church itself was
erected; a noble work, rising to a vast height, and of great extent,
both in length and breadth. The interior of this structure was
floored with marble slabs of various colours; while the external
surface of the walls, which shone with polished stone exactly fitted
together, exhibited a degree of splendour in no respect inferior to
that of marble. With regard to the roof, it was covered on the
outside with lead, as a protection against the rains of winter. But
the inner part of the roof, which was finished with sculptured
fretwork, extended in a series of connected compartments, like a
vast sea, over the whole church; and, being overlaid throughout with
the purest gold, caused the entire building to glitter, as it were,
with rays of light. Besides this were two porticoes on each side,
with upper and lower ranges of pillars, corresponding in length with
the church itself; and these had, also, their roofs ornamented with
gold. Of these porticoes, those which were exterior to the church
were supported by columns of great size, while those within these
rested on piles of stone beautifully adorned on the surface. Three
gates placed exactly east, were intended to receive those who
entered the church.
“Opposite these gates the crowning part of the whole was the
hemisphere, which rose to the very summit of the church. This was
encircled by twelve columns (according to the number of the apostles
of our Saviour), having their capitals embellished with silver bowls
of great size, which the emperor himself presented as a splendid
offering to his god.
“In the next place, he enclosed the atrium, which occupied the space
leading to the entrance in front of the church. This comprehended,
first, the court, then the porticoes on each side, and lastly the
gates of the court. After these, in the midst of the open
market-place, the entrance gates of the whole work, which were of
exquisite workmanship, afforded to passers-by on the outside a view
of the interior, which could not fail to excite astonishment.”
Public-domain text, read in full here on John Shaqi.
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