Civil engineers -- Drama; English drama (Comedy); Ireland -- Drama; Real estate development -- Drama
BROADBENT [resolutely]. Oh yes, I have: you should see me when I
am really roused: then I have TREMENDOUS self-control. Remember:
we have been alone together only once before; and then, I regret
to say, I was in a disgusting state.
NORA. Ah no, Mr Broadbent: you weren't disgusting.
BROADBENT [mercilessly]. Yes I was: nothing can excuse it:
perfectly beastly. It must have made a most unfavorable
impression on you.
NORA. Oh, sure it's all right. Say no more about that.
BROADBENT. I must, Miss Reilly: it is my duty. I shall not detain
you long. May I ask you to sit down. [He indicates her chair with
oppressive solemnity. She sits down wondering. He then, with the
same portentous gravity, places a chair for himself near her;
sits down; and proceeds to explain]. First, Miss Reilly, may I
say that I have tasted nothing of an alcoholic nature today.
NORA. It doesn't seem to make as much difference in you as it
would in an Irishman, somehow.
BROADBENT. Perhaps not. Perhaps not. I never quite lose myself.
NORA [consolingly]. Well, anyhow, you're all right now.
BROADBENT [fervently]. Thank you, Miss Reilly: I am. Now we shall
get along. [Tenderly, lowering his voice] Nora: I was in earnest
last night. [Nora moves as if to rise]. No: one moment. You must
not think I am going to press you for an answer before you have
known me for 24 hours. I am a reasonable man, I hope; and I am
prepared to wait as long as you like, provided you will give me
some small assurance that the answer will not be unfavorable.
NORA. How could I go back from it if I did? I sometimes think
you're not quite right in your head, Mr Broadbent, you say such
funny things.
BROADBENT. Yes: I know I have a strong sense of humor which
sometimes makes people doubt whether I am quite serious. That is
why I have always thought I should like to marry an Irishwoman.
She would always understand my jokes. For instance, you would
understand them, eh?
NORA [uneasily]. Mr Broadbent, I couldn't.
BROADBENT [soothingly]. Wait: let me break this to you gently,
Miss Reilly: hear me out. I daresay you have noticed that in
speaking to you I have been putting a very strong constraint on
myself, so as to avoid wounding your delicacy by too abrupt an
avowal of my feelings. Well, I feel now that the time has come to
be open, to be frank, to be explicit. Miss Reilly: you have
inspired in me a very strong attachment. Perhaps, with a woman's
intuition, you have already guessed that.
NORA [rising distractedly]. Why do you talk to me in that
unfeeling nonsensical way?
BROADBENT [rising also, much astonished]. Unfeeling! Nonsensical!
NORA. Don't you know that you have said things to me that no man
ought to say unless--unless--[she suddenly breaks down again and
hides her face on the table as before] Oh, go away from me: I
won't get married at all: what is it but heartbreak and
disappointment?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account