He and I became good friends. I liked him. You have heard how I take likes and dislikes to faces, and I rarely saw a face that I liked as I liked Abel Crew's. Not for its beauty, though it really was beautiful, with its perfect shape and delicately carved features; but for its unmistakable look of goodness and its innate refinement: perhaps also for the deep, far-seeing, and often _sad_ expression that sat in the earnest eyes. He was old now--sixty, I dare say; tall, slender, and very upright still; his white hair brushed back from his forehead and worn rather long. What his original condition of life might have been did not transpire; he never talked of it. More than once I had seen him reading Latin books; and though he fell into the diction of the country people around when talking with them, he changed his tones and language when conversing with his betters. A character, no doubt, he was, but a man to be respected; a man of religion, too--attending church regularly twice on a Sunday, wet or dry, and carrying his religion into the little things of everyday life. His style of dress was old-fashioned and peculiar. So far as I saw, it never varied. A stout coat, waistcoat, and breeches every day, all of one colour--drab; with leathern gaiters buttoned nearly to the knee. On Sundays he wore a suit of black silk velvet, and a frilled shirt of fine cambric. His breeches were tied at the knee with black ribbon, in which was a plain, glistening steel buckle; buckles to match shone in his shoes. His stockings were black, and in the winter he wore black-cloth gaiters. In short, on Sundays Abel Crew looked like a fine old-fashioned English gentleman, and would have been taken for one. The woman who got up his linen declared he was more particular over his shirt-frills than Sir Peter himself.