Kings, Queens and Pawns: An American Woman at the Front — John Shaqi
Kings, Queens and Pawns: An American Woman at the FrontRinehart, Mary Roberts
History
Kings, Queens and Pawns: An American Woman at the Front
Rinehart, Mary Roberts
World War, 1914-1918 -- Personal narratives
There is nothing that I know of more hideous than an aërial
bombardment. It requires an entire mental readjustment. The sky, which
has always symbolised peace, suddenly spells death. Bombardment by the
big guns of an advancing army is not unexpected. There is time for
flight, a chance, too, for a reprisal. But against these raiders of
the sky there is nothing. One sits and waits. And no town is safe. One
moment there is a peaceful village with war twenty, fifty miles away.
The next minute hell breaks loose. Houses are destroyed. Sleeping
children die in their cradles. The streets echo and reëcho with the
din of destruction. The reply of the anti-aircraft guns is feeble, and
at night futile. There is no bustle of escape. The streets are empty
and dead, and in each house people, family groups, noncombatants, folk
who ask only the right to work and love and live, sit and wait with
blanched faces.
More explosions, nearer still. They were trying for the _Mairie_,
which was round the corner.
In the corridor outside the dining room a candle was lighted, and the
English officer who had reassured me earlier in the evening came in.
"You need not be alarmed," he said cheerfully. "It is really nothing.
But out in the corridor it is quite safe and not so lonely."
I went out. Two or three Belgian officers were there, gathered round a
table on which was a candle stuck in a glass. They were having their
after-dinner liqueurs and talking of many things. No one spoke of what
was happening outside. I was given a corner, as being out of the
draft.
The explosion were incessant now. With each one the landlady
downstairs screamed. As they came closer, cries and French adjectives
came up the staircase beside me in a nerve-destroying staccato of
terror.
At nine-thirty, when the aëroplanes had been overhead for
three-quarters of an hour, there came a period of silence. There were
no more explosions.
"It is over," said one of the Belgian officers, smiling. "It is over,
and madame lives!"
But it was not over.
I took advantage of the respite to do the forbidden thing and look out
through one of the windows. The moon had come up and the square was
flooded with light. All around were silent houses. No ray of light
filtered through their closed and shuttered windows. The street lamps
were out. Not an automobile was to be seen, not a hurrying human
figure, not a dog. No night prowler disturbed that ghastly silence.
The town lay dead under the clear and peaceful light of the moon. The
white paving stones of the square gleamed, and in the centre,
saturnine and defiant, stood uninjured the statue of Jean Bart,
privateer and private of Dunkirk.
Crash again! It was not over. The attack commenced with redoubled
fury. If sound were destructive the little town of Dunkirk would be
off the map of Northern France to-day. Sixty-seven bombs were dropped
in the hour or so that the Germans were overhead.
Public-domain text, read in full here on John Shaqi.
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