Kirsteen: The Story of a Scotch Family Seventy Years AgoOliphant, Mrs. (Margaret)
General
Kirsteen: The Story of a Scotch Family Seventy Years Ago
Oliphant, Mrs. (Margaret)
Domestic fiction; Scotland -- Fiction
Mary stood like a statue under the dressmaker’s hands. She was never
weary; so long as there was a pleat or seam that needed correction, a
pinch too little here, a fulness too much there, she was always ready.
The white gown was moulded upon her with something like a sculptor’s
art. Miss Macnab, with her mouth full of pins, and her fingers seamed
with work, pinned and pulled, and stretched out and drew in, with
endless perseverance. She was an artist in her way. It was terrible to
her, as a mistake on the field of battle to a general, to send forth
into the world a gown that did not fit, a pucker or a twist in any
garment she made. There are no Miss Macnabs nowadays, domestic
professors of the most primitive yet everlasting of arts. The trouble
she took over her composition would tire out a whole generation of
needlewomen, and few girls even for a first ball would stand like Mary
to be manipulated. And there is no such muslin now as the fine and
fairy web, like the most delicate lawn, which was the material of those
wonderful gowns, and little workmanship so delicate as that which put
together the long seams, and made invisible hems round the scanty but
elaborate robe.
Kirsteen, who was not so patient as her sister, looked on with a mixture
of contempt and admiration. It did not, to her young mind and thoughts
occupied with a hundred varying interests, seem possible at first to
give up all that time to the perfection even of a ball-dress. But
presently the old seamstress with her devotion to her art began to
impress the open-minded girl. It was not a very rich living which Miss
Macnab derived from all this labour and care. To see her kneeling upon
her rheumatic knees, directing the easy fall of the soft muslin line to
the foot which ought to peep from underneath without deranging the
exactness of the delicate hem, was a wonder to behold. A rivulet of pins
ran down the seam, and Miss Macnab’s face was grave and careful as if
the destinies of a kingdom were upon that muslin line.
“What trouble you are taking!” cried Kirsteen. “And it’s not as if it
were silk or velvet but just a muslin gown.”
Miss Macnab looked up from where she knelt by Mary’s knee. She had to
take the pins out of her mouth before she could speak, which was
inconvenient, for no pincushion is ever so handy. “Missie,” she said,
“my dear, ye just show your ignorance: for there’s nothing so hard to
take a good set as a fine muslin; and the maist difficult is aye the
maist particular, as ye would soon learn if ye gave yoursel’ to any
airt.”
Kirsteen, who knew very little of any art, but thought it meant painting
pictures, here gave vent, to her own shame afterwards, to a little
laugh, and said hastily, “I would just set it straight and sew it up
again if it was me.”
Public-domain text, read in full here on John Shaqi.
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