Kitty Alone: A Story of Three Fires (vol. 3 of 3)Baring-Gould, S. (Sabine)
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Kitty Alone: A Story of Three Fires (vol. 3 of 3)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
The several points brought out by the clarionet, that provoking advocate
for Pasco, who asked awkward questions and propounded awkward
suggestions, stood twinkling like sparks in tinder. The bassoon thought
that punch, good thing though it might be, did but momentarily overflow,
and did not drown, doubts. It darkened the burning questions, but did
not quench them. The disappearance of Quarm was not satisfactorily
explained. The coincidence of the voiding of the Cellars conveniently
for the fire, was not explained. The contradiction between the
statements made by the uncle and the niece was unsifted. The bassoon
grunted in his bed a grunt of dissatisfaction with himself for having
yielded his opinions, a grunt of resentment against Pasco for having
obfuscated his clear judgment, a grunt of resolve never again to allow
his opinions to give way before punch. Conscience, that capricious
factor, which had pricked him in one direction last night, pricked him
in another this morning.
The hautboy, also, was out of tune. On review of the events of the past
night, he considered that the entry of Pasco was an unwarrantable
intrusion. The rule was well known that during a practice of the
orchestra no one should be admitted. Pepperill had entered uninvited,
had forced himself into their society, and he must have done that for a
purpose. For what purpose but to cajole, to hoodwink them?
In vain is the net spread in the sight of any bird. The hautboy was a
very wideawake and watchful bird, and he saw the meshes clearly. In vain
is the hook cast in clear water; and the medium was so transparent that
the hautboy plainly saw the hook. He resolved to maintain an
independent, observant attitude, to form his own opinion, not accept
ready-made views served up to him with punch. When before had the
churchwarden favoured the village orchestra with punch? Never’since
Pasco had been churchwarden. Never when in a private capacity. Only when
popular feeling became suspicious or hostile, did he show himself
free-handed. His present liberality told against him.
The violoncello also entered into commune with himself. Was there any
chance of another brew? Would another bowl of punch be produced to keep
up the favourable opinion formed on the preceding evening, or would a
mistrustful attitude act as a stimulant to excite greater liberality?
One brew of punch was not much, it prepared the soil, a second would sow
the seed, a third make it germinate, a fourth develop, and only a fifth
fructify conviction in the integrity of the provider.
Public-domain text, read in full here on John Shaqi.
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