His Majesty is progressive. In view of the number and magnitude of the developments which have taken place under his rule, it is impossible to credit him with any of those prejudices against Western innovations which have distinguished the East from time immemorial. There are special schools in Seoul for teaching English, French, German, Russian, Chinese and Japanese; there is a School of Law, a School of Engineering and Science, a School of Medicine, and a Military Academy. These are but a few minor indications of the freedom of his rule, the sure sign of a later prosperity. He is tolerant of missionaries, and he is said to favour their activities. It is certain that his rule permits great liberty of action, while it is distinguished by extraordinary immunity from persecution. His reign is in happy contrast with the inter-regnum of the Regent, Tai Won Kun, who regarded priests and converts as a pest, and who eradicated them to the best of his ability. As the autocratic monarch of a country, whose oldest associations are opposed to all external interference, the attitude of his Majesty has been instinct with the most humane principles, with great integrity of purpose and much enlightenment. It cannot be said that his reign has been a failure, or that it has not tended to the benefit of his people and his realms. Certain evil practices still exist, but his faults as an Emperor are, to a great extent, due to the worthlessness of his officials. Indeed, he frequently receives the condemnation which should be passed upon the minds and morals of his Ministers. Saving Yi Yong-ik, the most important figure in the Court is the mature and elderly Lady Om, the wife of his Majesty. In a Court which is abandoned to every phase of Eastern immorality, it is a little disappointing to find that the first lady in the land no longer possesses those charms of face and figure, which should explain her position. There is no doubt that the Lady Om is a clever woman. She is most remarkably astute in her management of the Emperor, whose profound attachment to her is a curious paradox. Lady Om is mature, fat, and feebly, if freely, frolicsome. Her face is pitted with small-pox; her teeth are uneven; her skin is of a saffron tint. There is some suggestion of a squint in her dark eyes, a possible reminder of the pest which afflicts all Koreans. She paints very little and she eschews garlic. Her domination of the Emperor is wonderful. Except at rare intervals, and then only when the assent of Lady Om to the visit of a new beauty has been given, he has no eye for any other woman. Nevertheless, the Lady Om has not always been a Palace beauty; she was not always the shining light of the Imperial harem. Her _amours_ have made Korean history; only two of her five children belong to the Emperor; yet one of these may become the future occupant of his father’s throne. [Illustration: THEIR IMPERIAL HIGHNESSES THE CROWN PRINCE AND PRINCESS]