Korean Buddhism: History—Condition—ArtStarr, Frederick
Religion
Korean Buddhism: History—Condition—Art
Starr, Frederick
Art -- Korea; Buddhism -- Korea; Buddhist art
The four Maharajas, heavenly kings of the cardinal points, who reported
to Indra every month, showed themselves equally friendly. On one
occasion Buddha was without a begging bowl; the Deva kings came to him
and each one offered a begging bowl of emerald; the Buddha refused to
take them, as they were of too precious material; so they offered bowls
less fine and each was strenuous that he should accept _his_ gift; so
Buddha took the four bowls and placing them together, lo, they became a
single bowl, but with a rim showing how four had merged, so that none of
the kind Devas was neglected or hurt in feeling, and the offering of all
was accepted by the Great Teacher; it is said that this begging bowl was
in existence hundreds of years after Buddha’s time, kept as a precious
treasure in a temple.
We need not then, be surprised, to find that a number of the old
Brahmanic gods were taken bodily over into Buddhism. Brahma and Indra
are in fact to-day considered in Mahayana to be the chief patrons and
protectors of Buddhism. The four Maharajas have also been taken over
completely. And Yama, the very ancient god of hell, to-day finds himself
as comfortable in Buddhism as he ever could have been in Brahmanism, or
in the earlier Aryan worship of the Vedas.
[Illustration: PLATE XXVIII
Hall of the Ten Kings of Hell: Yongju-sa
(Notice combination of figures and painting; the god of hell with two
helpers, five kings with small servants, two other officers, and one of
the two Brahmanic guardians)
[Page 91]]
Approaching any Buddhist temple in Japan or Korea you are almost sure to
find two gigantic figures standing at the outer gate. They are the old
gods Brahma and Indra. They are represented as full-muscled men of
gigantic size, wrestling against the powers of evil. (Plate XIX.)
Public-domain text, read in full here on John Shaqi.
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