There she found her daughter fully attired, the French window wide open, and caught a flashing glimpse of a figure disappearing through the French window, that she recognised as Martin. At first flush she accepted the incident as an interrupted rendezvous of some sort between her daughter and her chauffeur, and one hot word of charge had brought a swift retort from the daughter, and a quarrel had arisen. Martin, sneaking back to report progress in the room to Stanton, heard the rising voices in anger, and learned enough to know that the girl, under stress of her excitement, had revealed the plan for the elopement. He counselled with Stanton, and both agreed that Stanton had best retire and await developments, Martin to keep Stanton posted by telephone. In the grief and excitement of the final tragedy he did not do so, and the lover, worn by a sleepless night, received his great blow when he opened his morning paper. But this is not a tale of love or lovers, except insofar as they concern the solution of a crime, and Stanton therefore, with his blighted life, passes out of the story. Martin, determined to intercede in hope of softening the lot of the daughter, taking all blame to himself as the messenger of the secret lovers, hurried then, back to the house. Some primal strain of vulgarity, some poignant pang of disappointed motherly ambitions, or possibly some pang of personal ambitions thwarted, led to the utterance of one malediction sharper than all the others by the mother. In a moment of sudden hysteria the old-fashioned revolver that had been on her mantelpiece for years had been seized by the daughter in a wild threat of suicide. The mother seized her wrist. A violent physical struggle for the weapon followed. This was occurring just as Martin was making his way back through the house to the room, taking along with him the maid, Marie, huddled, frightened, against the hall wall at sound of the unseemly family quarrel. There was a flash and a report in his very eyes as Martin opened the door. The revolver, he said, was unmistakably in the mother’s hands; but whether the discharge was accidental or intentional in heat of passion, Martin could not say. And that angle of the story never was cleared up. The mother had swooned. When it was clear to the frightened servants that the girl was dead, they had carried the mother to her room. The plan of the two was quickly formed. In their clumsy way they concluded it would be best for all concerned if the revolver should be placed in the girl’s hand to indicate suicide. Martin placed it there, while Marie laboured with the hysterical mother, trying to instil in her mind, in which the entire terrible scene was a whirl, the idea that Elvira had, in fact, committed suicide. As for the confession: