Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Little light ever groped its way between the closely-packed rows of
houses in Little Flotsam Street, even on the brightest summer day;
and on a dark and dreary winter's morning Mrs. Flexor's little front
parlour was horribly dark. The worthy landlady had some wild notion,
whence derived no one knew, that an immense amount of gentility was
derived from keeping the light out; and consequently the bottom parts
of her windows were fitted with dwarf wire-blinds, and the top parts
with long linen-blinds, and across both were drawn curtains made
of a kind of white fishing-net; so that even so little daylight as
Little Flotsam Street enjoyed was greatly diluted in the Flexorian
establishment.
But Geoffrey Ludlow saw stretched out on a miserable black horsehair
sofa before him there this fragile form which had been haunting his
brain for the last twelve hours. Ah, how thin and fragile it was;
how small it looked, even in, its worn draggled black-merino dress!
As he advanced noiselessly, he saw that the patient slept; her head
was thrown back, her delicate white hands (and almost involuntarily
Geoffrey remarked that she wore no wedding-ring) were clasped across
her breast, and her hair, put off her dead-white face, fell in thick
clusters over her shoulders.
With a professional eye Geoffrey saw at once that whatever trouble she
might have taken, she could not have been more artistically posed than
in this natural attitude. The expression of her eyes was wanting; and,
as he sunk into a chair at her feet, her eyes opened upon him. Then he
saw her face in its entirety; saw large deep-violet eyes, with dark
lashes and eyebrows; a thin, slightly aquiline nose; small thin close
lips, and a little chin; a complexion of the deadest white, without the
smallest colour and hair, long thick rich luxuriant hair, of a deep,
red-god colour--not the poetic "auburn," not the vulgar "carrots;"
a rich metallic red, unmistakable, admitting of no compromise, no
darkening by grease or confining by fixature--a great mass of deep-red
hair, strange, weird, and oddly beautiful. The deep-violet eyes,
opening slowly, fixed their regard on his face without a tremor, and
with a somewhat languid gaze; then brightening slowly, while the hands
were unclasped, and the voice--how well Geoff remembered its tones, and
how they thrilled him again!--murmured faintly, "It is you!"
Public-domain text, read in full here on John Shaqi.
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