Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Mr. Potts lived in Berners Street, on the second floor of a rambling
big old-fashioned house, which in its palmy days had been inhabited by
people of distinction; and in which it was rumoured in the art-world
that the great Mr. Fuseli had once lived, and painted those horrors
which sprung from the nightmare consequent on heavy suppers of
pork-chops. But these were the days of its decadence, and each of its
floors had now a separate and distinct tenant. The ground-floor was
a kind of half showroom, half shop, held by Mr. Lectern, the great
church-upholsterer. Specimens of stained-glass windows, croziers,
and brass instruments like exaggerated beadles'-staves, gilt sets of
communion-service, and splendidly-worked altar-cloths, occupied the
walls; the visitor walked up to the desk at which Mr. Lectern presided
between groves of elaborately-carved pulpits and reading-desks, and
brazen eagles were extending their wings in every available corner. On
the first-floor Mdlle. Stetti gave lessons to the nobility, gentry,
and the public in general in the fashionable dances of the day, and
in the Magyar sceptre-exercises for opening the chest and improving
the figure. Mdlle. Stetti had a very large connection; and as many
of her pupils were adults who had never learned to dance while they
were supple and tender, and as, under the persevering tuition of
their little instructress, they gambolled in a cumbrous and rather
elephantine manner, they earned for themselves many hearty anathemas
from Mr. Potts, who found it impossible to work with anything like a
steady hand while the whole house was rocking under the influence of a
stout stockbroker doing the "changes," or while the walls trembled at
every bound of the fourteen-stone lady from Islington, who was being
initiated into the mysteries of the gavotte. But Charley Potts' pipe
was the only confidant of his growled anathemas, and on the whole
he got on remarkably well with his neighbours; for Mr. Lectern had
lent him bits of oak furniture to paint from; and once, when he was
ill, Mdlle. Stetti, who was the dearest, cheeriest, hardest-working,
best-tempered little creature in existence, had made him broths and
"goodies" with her own hand, and when he was well, had always a kind
word and a smile for him--and, indeed, revelled in the practical
humour and buffoonery of "_ce farceur_ Pott." For Mr. Potts was
nothing if not funny; the staircase leading to his rooms began to be
decorated immediately after you had passed Mdlle. Stetti's apartments;
an enormous hand, sketched in crayon, with an outstretched finger,
directed attention to an inscription--"To the halls of Potts!" Just
above the little landing you were confronted by a big beef-eater's
head, out of the mouth of which floated a balloon-like legend--"Walk
up, walk up, and see the great Potts!" The aperture of the letter-box
in the door formed the mouth in a capital caricatured head of Charley
Public-domain text, read in full here on John Shaqi.
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