ORIGINAL DEPARTMENT STORE, _King Street at Market_: “Ghosts rush out
every time I pass,” said a friend. He was growing sentimental about the
Academy of Music building, razed in 1937. In 1830 in this “whale of a
building,” for its time, was opened the world’s first department store.
With great stocks from all parts of the world the Kerrisons built up an
enormous business, their customers coming from as far as the Mississippi
River! It was a massive building of massive construction. Its masonry
was notable and it may be that its great heart cypress timbers were more
notable. To the coming of the War for Southern Independence, Charleston
being capital of a far-flung slave empire, business in the building
prospered. Kerrison’s of this time is descendant of the original
Kerrison’s; it is across and higher up King Street, one of the leading
department stores of the South. After Appomattox Charleston was without
a theater. The Charleston Theater had been destroyed in the fire of
1861. John Chadwick, a school master, acquired the building and
converted the rear portion into a theater, the Academy of Music, wherein
have appeared famous actors, actresses and singers, great bands and
orchestras. Georges Barrere, solo flautist and conductor of the Little
Symphony Orchestra and the Barrere Ensemble, after playing his flute on
the stage, remarked: “Here is a veritable ‘Strad.’ of a theater!”
Barrere was justly complimenting the remarkable acoustics of the
theater. It is well to bear in mind that Charleston had a great
department store before the first of the steam railroads began operation
in America! A century ago in a mezzanine gallery on the top floor were
displayed laces, embroideries and other fine goods from the world’s
finest makers. As a theater the Academy of Music was owned for some
years by John A. Owens, nationally known for his portrayal of Solon
Shingle. It may be permissible here to say that Joseph Jefferson used to
manage a theater in Charleston, that his mother was born in Charleston.
Public-domain text, read in full here on John Shaqi.
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