Later, there came a sad knock at the door. Wrinkles, arranging a tin
pail on the stove, little Pennoyer busy at slicing the bread, and Great
Grief affixing the rubber tube to the gas stove, yelled: "Come in!"
The door opened and Corinson entered dejectedly. His overcoat was very
new. Wrinkles flashed an envious glance at it, but almost immediately he
cried: "Hello, Corrie, old boy!"
Corinson sat down and felt around among the pipes until he found a good
one. Great Grief had fixed the coffee to boil on the gas stove, but he
had to watch it closely, for the rubber tube was short, and a chair was
balanced on a trunk, and then the gas stove was balanced on the chair.
Coffee making was a feat.
"Well," said Grief, with his back turned, "how goes it, Corrie? How's
Art, hey?" He fastened a terrible emphasis upon the word.
"Crayon portraits," said Corinson.
"What?" They turned towards him with one movement, as if from a lever
connection. Little Pennoyer dropped his knife.
"Crayon portraits," repeated Corinson. He smoked away in profound
cynicism. "Fifteen dollars a week or more this time of year, you know."
He smiled at them like a man of courage.
Little Pennoyer picked up his knife again. "Well, I'll be blowed," said
Wrinkles. Feeling it incumbent upon him to think, he dropped into a
chair and began to play serenades on his guitar and watch to see when
the water for the eggs would boil. It was a habitual pose.
Great Grief, however, seemed to observe something bitter in the affair.
"When did you discover that you couldn't draw?" he said stiffly.
"I haven't discovered it yet," replied Corinson, with a serene air. "I
merely discovered that I would rather eat."
"Oh!" said Grief.
"Hand me the eggs, Grief," said Wrinkles. "The water's boiling."
Little Pennoyer burst into the conversation. "We'd ask you to dinner,
Corrie, but there's only three of us and there's two eggs. I dropped a
piece of bread on the floor, too. I'd shy one."
"That's all right, Penny," said the other; "don't trouble yourself. You
artists should never be hospitable. I'm going anyway. I've got to make a
call. Well, good night, boys. I've got to make a call. Drop in and see
me."
When the door closed upon him, Grief said: "The coffee's done; I hate
that fellow. That overcoat cost thirty dollars, if it cost a red. His
egotism is so tranquil. It isn't like yours, Wrinkles. He--"
The door opened again and Corinson thrust in his head. "Say, you
fellows, you know it's Thanksgiving to-morrow?"
"Well, what of it?" demanded Grief.
Little Pennoyer said: "Yes, I know it is, Corrie, I thought of it this
morning."
"Well, come out and have a table d'hote with me to-morrow night. I'll
blow you off in good style."
While Wrinkles played an exuberant air on his guitar, little Pennoyer
did part of a ballet. They cried ecstatically: "Will we? Well, I guess
yes?"
When they were alone again, Grief said: "I'm not going, anyhow. I hate
that fellow."
Public-domain text, read in full here on John Shaqi.
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