Sometimes, too, the effect is a complicated one. Instead of one commonplace phrase-form, there are two or three which are dovetailed into each other. Take, for instance, the remark of one of the characters in a play by Labiche, "Only God has the right to kill His fellow-creature." It would seem that advantage is here taken of two separate familiar sayings; "It is God who disposes of the lives of men," and, "It is criminal for a man to kill his fellow-creature." But the two sayings are combined so as to deceive the ear and leave the impression of being one of those hackneyed sentences that are accepted as a matter of course. Hence our attention nods, until we are suddenly aroused by the absurdity of the meaning. These examples suffice to show how one of the most important types of the comic can be projected--in a simplified form--on the plane of speech. We will now proceed to a form which is not so general. 2. "We laugh if our attention is diverted to the physical in a person when it is the moral that is in question," is a law we laid down in the first part of this work. Let us apply it to language. Most words might be said to have a PHYSICAL and a MORAL meaning, according as they are interpreted literally or figuratively. Every word, indeed, begins by denoting a concrete object or a material action; but by degrees the meaning of the word is refined into an abstract relation or a pure idea. If, then, the above law holds good here, it should be stated as follows: "A comic effect is obtained whenever we pretend to take literally an expression which was used figuratively"; or, "Once our attention is fixed on the material aspect of a metaphor, the idea expressed becomes comic."