Legendary & romantic tales of Indian history — John Shaqi
Legendary & romantic tales of Indian historyCaunter, Hobart
History
Legendary & romantic tales of Indian history
Caunter, Hobart
India -- History -- Fiction
Her heart palpitated; she was struck with a sudden suspicion. The voice
was evidently disguised, but, to her quick ear, could not be mistaken:
it was that of the Brahmin. Her brain flashed with instant conviction,
as if the deity had lighted up her soul with a positive revelation.
The impulse was irresistible. The illusions of superstition vanished,
and she felt herself in the meshes of the betrayer. She gasped for
breath; she spoke not; she groped for a resting-place, and her arm fell
upon the pedestal of the idol.
“Come,” said the voice, in a gentle whisper; “why this delay? The god
is impatient, and he is not used to be slighted: where he honours, he
expects obedience. Come!”
“Avaunt! deceiver,” she cried. “You have marked me for your victim. I
am betrayed. Why should the divinity of Somnat assume the form of an
aged and deformed Brahmin, when he might clothe himself in the fairest
garb of mortal flesh? My dream is past. I am your dupe. Away, and
leave me. Never will I submit to pollution by one who makes religion a
pander to his odious passions. A light has broken upon me. The deity
has indeed heard my supplication, and saved me from the machinations
of one who will swell the ranks of the Asuras, amid the darkness of
Lóhángáráká.”[4]
The Brahmin, finding himself foiled, quitted his expected victim in a
fury of disappointment.
She stood alone, leaning on the image, rapt in a trance of painful
abstraction. Suddenly she felt the idol totter; a noise was heard from
within, like the hissing of ten thousand serpents, immediately after
which fire issued from the nose and mouth of the image, and fell in
thick showers around. The whole temple was illuminated, and the door
instantly became visible to the worshipper. She darted forward in spite
of every impediment, and at length succeeded in gaining the entrance.
She felt the pure breath of heaven upon her burning brow, and rejoiced
in her escape. Reaching her home at length, in a tumult of hope and
anxiety, she found that her husband had gone to that land where “there
is time no longer.”
FOOTNOTES:
[2] This is stated in the Zein-ool-Maasir.
[3] The Maha Yug, or great Divine Age, is the longest of the Hindoo
astronomical periods, containing a cycle of four million three hundred
and twenty thousand years.
[4] The last of the thrice seven hells of the Hindoos. Lóhángáráká
signifies hot iron coals.
CHAPTER IV.
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