This is what had taken place in the mean while. Marius, more occupied
with the outside than the inside, had not hitherto attentively regarded
the spy fastened up at the darkened end of the ground-floor room. When
he saw him in the open daylight bestriding the barricade, he recognized
him, and a sudden hope entered his mind. He remembered the inspector of
the Rue de Pontoise, and the two pistols he had given him, which he,
Marius, had employed at this very barricade, and he not only remembered
his face but his name.
This recollection, however, was foggy and disturbed, like all his
ideas. It was not an affirmation he made so much as a question which he
asked himself. "Is that not the Police Inspector, who told me that his
name was Javert?" Marius shouted to Enjolras, who had just stationed
himself at the other end of the barricade,--
"Enjolras?"
"Well?"
"What is that man's name?"
"Which man?"
"The police agent. Do you know his name?"
"Of course I do, for he told it to us."
"What is it?"
"Javert."
Marius started, but at this moment a pistol-shot was heard, and Jean
Valjean reappeared, saying, "_It is all over._" A dark chill crossed
Marius's heart.
CHAPTER XX.
THE DEAD ARE RIGHT AND THE LIVING ARE NOT WRONG.
The death-struggles of the barricade were about to begin, and
everything added to the tragical majesty of this supreme moment,--a
thousand mysterious sounds in the air, the breathing of armed masses
set in motion in streets which could not be seen, the intermittent
gallop of cavalry, the heavy rumor of artillery, the platoon firing and
the cannonade crossing each other in the labyrinth of Paris, the smoke
of the battle rising all golden above the roofs, distant and vaguely
terrible cries, flashes of menace everywhere, the tocsin of St. Merry,
which now had the sound of a sob, the mildness of the season, the
splendor of the sky full of sunshine and clouds, the beauty of the day,
and the fearful silence of the houses. For since the previous evening
the two rows of houses in the Rue de la Chanvrerie had become two
walls,--ferocious walls with closed doors, closed windows, and closed
shutters.
Public-domain text, read in full here on John Shaqi.
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