Letters from a Self-Made Merchant to His Son: Being the Letters written by John Graham, Head of the House of Graham & Company, Pork-Packers in Chicago, familiarly known on 'Change as "Old Gorgon Graham," to his Son, Pierrepont, facetiously known to his intimates as "Piggy."Lorimer, George Horace
General
Letters from a Self-Made Merchant to His Son: Being the Letters written by John Graham, Head of the House of Graham & Company, Pork-Packers in Chicago, familiarly known on 'Change as "Old Gorgon Graham," to his Son, Pierrepont, facetiously known to his intimates as "Piggy."
Lorimer, George Horace
Chicago (Ill.) -- Fiction; Didactic fiction; Epistolary fiction; Fathers and sons -- Fiction; Men -- Conduct of life -- Fiction; Merchants -- Fiction; Social ethics -- Fiction
One time or another Chauncey lolled in the best room of every house in
our town, and we used to wonder how he managed to browse up and down the
streets that way without getting into the pound. I never found out till
after I married your Ma, and she told me Chauncey's heart secrets. It
really wasn't violating any confidence, because he'd told them to every
girl in town.
Seems he used to get terribly sad as soon as he was left alone with a
girl and began to hint about a tragedy in his past--something that had
blighted his whole life and left him without the power to love
again--and lots more slop from the same pail.
Of course, every girl in that town had known Chauncey since he wore
short pants, and ought to have known that the nearest to a tragedy he
had ever been was when he sat in the top gallery of a Chicago theatre
and saw a lot of barnstormers play Othello. But some people, and
especially very young people, don't think anything's worth believing
unless it's hard to believe.
Chauncey worked along these lines until he was twenty-four, and then he
made a mistake. Most of the girls that he had grown up with had married
off, and while he was waiting for a new lot to come along, he began to
shine up to the widow Sharpless, a powerful, well-preserved woman of
forty or thereabouts, who had been born with her eye-teeth cut. He
found her uncommon sympathetic. And when Chauncey finally came out of
his trance he was the stepfather of the widow's four children.
She was very kind to Chauncey, and treated him like one of her own sons;
but she was very, very firm. There was no gallivanting off alone, and
when they went out in double harness strangers used to annoy him
considerable by patting him on the head and saying to his wife: "What a
bright-looking chap your son is, Mrs. Hoskins!"
She was almost seventy when Chauncey buried her a while back, and they
say that he began to take notice again on the way home from the funeral.
Anyway, he crowded his mourning into sixty days--and I reckon there was
plenty of room in them to hold all his grief without stretching--and his
courting into another sixty. And four months after date he presented his
matrimonial papers for acceptance. Said he was tired of this
mother-and-son foolishness, and wasn't going to leave any room for doubt
this time. Didn't propose to have people sizing his wife up for one of
his ancestors any more. So he married Lulu Littlebrown, who was just
turned eighteen. Chauncey was over fifty then, and wizened up like a
late pippin that has been out overnight in an early frost.
He took Lu to Chicago for the honeymoon, and Mose Greenebaum, who happened
to be going up to town for his fall goods, got into the parlor car with
them. By and by the porter came around and stopped beside Chauncey.
"Wouldn't your daughter like a pillow under her head?" says he.
Chauncey just groaned. Then--"Git; you Senegambian son of darkness!" And
the porter just naturally got.
Public-domain text, read in full here on John Shaqi.
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