Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.Brewster, David
History
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.
Brewster, David
Scientific recreations
Mr. Roscoe, from whose Life of Cellini the preceding description is
taken, draws a similar conclusion from the consolatory words addressed
to the boy, and states that they “confirm him in the belief, that the
whole of these appearances, like a phantasmagoria, were merely the
effects of a magic lantern produced on volumes of smoke from various
kinds of burning wood.” In drawing this conclusion, Mr. Roscoe has
not adverted to the fact, that this exhibition took place about the
middle of the 16th century, while the magic lantern was not invented
by Kircher till towards the middle of the 17th century; Cellini
having died in 1570, and Kircher having been born in 1601. There
is no doubt that the effects described could be produced by this
instrument, but we are not entitled to have recourse to any other
means of explanation but those which were known to exist at the time
of Cellini. If we suppose, however, that the necromancer either had a
regular magic lantern, or that he had fitted up his concave mirror in
a box containing the figures of his devils, and that this box with its
lights was carried home with the party, we can easily account for the
declaration of the boy, “that as they were going home to their houses
in the quarter of Banchi, _two of the demons whom we had seen at the
amphitheatre went on before us leaping and skipping, sometimes running
upon the roofs of the houses, and sometimes upon the ground_.”
The introduction of the magic lantern as an optical instrument
supplied the magicians of the 17th century with one of their most
valuable tools. The use of the concave mirror, which does not appear
to have been even put up into the form of an instrument, required a
separate apartment, or at least that degree of concealment which it
was difficult on ordinary occasions to command; but the magic lantern,
containing in a small compass its lamp, its lenses, and its sliding
figures, was peculiarly fitted for the itinerant conjuror, who had
neither the means of providing a less portable and more extensive
apparatus, nor the power of transporting and erecting it.
Public-domain text, read in full here on John Shaqi.
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