Life in a mediæval city : $b illustrated by York in the XVth centuryBenson, Edwin
History
Life in a mediæval city : $b illustrated by York in the XVth century
Benson, Edwin
York (England) -- History; York (England) -- Social life and customs
In the Middle Ages holidays were taken at festivals marked in the
Church calendar. Some feasts, like that of Whitsuntide, were
universally observed. The ordinary length of a festival was eight
days, that is, the full week--the octave. Apart from pilgrimages, the
ordinary people travelled little. Moreover the life and property of
travellers were not altogether secure in the forest land, with the
result that treasure and distinguished people travelled under the care
of an armed escort. A large city like York was practically
self-supporting in public amusements. The fifteenth century saw the
full development of the religious mystery plays, and the allegorical
morality plays, which with their comic interludes had become popular
from the thirteenth and fourteenth centuries. The feast of Corpus
Christi (instituted about 1263) was the most important time in the
year for the playing of these typically mediæval dramas. Begun more
than three centuries earlier within the Church and performed by the
clergy, as a dramatic reinforcement of the services and preaching, the
mediæval drama owed its origin mainly to the Church which maintained
its influence as long as this drama continued. It soon came into the
care of laymen, who took part in the productions. In the fifteenth
century, these plays, which were produced almost entirely by laymen,
were so numerous that they were formed in cycles or groups. The texts
of some of the most famous cycles, those of York, Chester, Wakefield,
and Coventry, have survived. The various trade-guilds made themselves
responsible for the production of one pageant of the local cycle, or
two or three guilds joined to produce a pageant, so that the whole
city produced a large number of plays to celebrate the feast of Corpus
Christi. Among its officers a guild had its pageant-master, whose duty
it was to supervise the guild's dramatic work.
The York plays, the texts dating from the middle of the fourteenth
century, are extant. In 1415 fifty-seven pageant plays were produced.
Productions were made in York down to 1579. The following are examples
taken from among the fifty-seven plays and guilds:--
The Shipwrights produced the Building of the Ark,
the Fishers and Mariners " Noah and the Flood,
the Spicers " " Annunciation,
the Tilers " " Birth of Christ,
the Goldsmiths " " Adoration,
the Vintners " " Wedding in Cana,
the Skinners " " entry into Jerusalem,
the Baxters " " Last Supper,
the Tapiters and Couchers " Christ before Pilate,
the Saucemakers " " Death of Judas,
the Bouchers " " Death of Christ,
the Carpenters " " Resurrection,
the Scriveners " " Incredulity of Thomas,
the Tailors " " Ascension,
the Mercers " " Day of Judgment.
Public-domain text, read in full here on John Shaqi.
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