Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
Thus our obscurely-born and half-schooled young medical student, the
orphan son of a Finsbury stable-keeper, found himself at twenty-one,
before the end of his second winter in London, fairly launched in a
world of art, letters, and liberal aspirations and living in familiar
intimacy with some, and friendly acquaintance with others, of the most
gifted spirits of his time. The power and charm of genius already shone
from him, and impressed alike his older and his younger companions.
Portraits of him verbal and other exist in abundance. A small, compact,
well-turned figure, broad-chested for its height, which was barely an
inch over five feet; a shapely head set off by thickly clustering
gold-brown hair and carried with an eager upward and forward thrust from
the shoulders; the features powerful, finished, and mobile, with an
expression at once bold and sensitive; the forehead sloping and not
high, but broad and strong: the brows well arched above hazel-brown,
liquid flashing eyes, 'like the eyes of a wild gypsy maid in colour, set
in the face of a young god,' Severn calls them. To the same effect
Haydon,--'an eye that had an inward look, perfectly divine, like a
Delphian priestess who saw visions': and again Leigh Hunt,--'the eyes
mellow and glowing, large, dark, and sensitive. At the recital of a
noble action or a beautiful thought, they would suffuse with tears and
his mouth tremble.' In like manner George Keats,--'John's eyes moistened
and his lip quivered at the relation of any tale of generosity or
benevolence or noble daring, or at sights of loveliness or distress.'
And once more Haydon,--'Keats was the only man I ever met who seemed and
looked conscious of a high calling, except Wordsworth.... He was in his
glory in the fields. The humming of a bee, the sight of a flower, the
glitter of the sun, seemed to make his nature tremble, then his eyes
flashed, his cheek glowed and his mouth quivered.' 'Nothing seemed to
escape him,'--I now quote paragraphs compiled by the late Mr William
Sharp from many jotted reminiscences of Severn's,--
Nothing seemed to escape him, the song of a bird and the undernote of
response from covert or hedge, the rustle of some animal, the changing
of the green and brown lights and furtive shadows, the motions of the
wind--just how it took certain tall flowers and plants--and the
wayfaring of the clouds: even the features and gestures of passing
tramps, the colour of one woman's hair, the smile on one child's face,
the furtive animalism below the deceptive humanity in many of the
vagrants, even the hats, clothes, shoes, wherever these conveyed the
remotest hint as to the real self of the wearer. Withal, even when in
a mood of joyous observance, with flow of happy spirits, he would
suddenly become taciturn, not because he was tired, not even because
his mind was suddenly wrought to some bewitching vision, but from a
profound disquiet which he could not or would not explain.
Public-domain text, read in full here on John Shaqi.
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