Composers -- Austria -- Biography; Mozart, Wolfgang Amadeus, 1756-1791
His reception was a good one. He had indeed, as was the custom of the
time, to sit at table with cooks and _valets de chambre_, but these
he kept at a proper distance by “great gravity” and silence. Yet even
now we hear that the archbishop was only giving himself airs with
his attendants; for when an opportunity presented itself for Mozart
to show his powers, in other noble houses, the archbishop refused
him permission to do so; and still, it was only in such houses, that
he could expect to meet the Emperor Joseph--a circumstance on which
everything now depended. Rather did this domineering ecclesiastic do
all in his power to make Mozart feel his dependence more keenly. The
father did all he could to appease him, but Wolfgang felt that the
archbishop used him only to tickle his own ambition; that, in all
other respects, that worthy served only to hide his light. Besides
he had to stand about the room like a servant. Yet Mozart tells us
how, at a performance at prince Galizin’s, he had left the other
musicians entirely, and how he had gone directly up to the host in
the music room, and remained with him. Nothing was paid him for his
compositions for the archbishop’s _soirées_. Mozart, indeed, helped to
lend _éclat_ to a concert for the widows of deceased musicians in the
Haydn Society, because “all the nobility of Vienna had tormented the
archbishop to permit him to do so.” But his grace would not allow him
to give a concert for his own benefit, spite of the fact that he had
been received so well. The hardest blow of all to our artist was the
news that he would have to go back to Salzburg with the rest. He at
first paid no attention to intimations of this nature, for he wanted
to give a concert before he left. He had, besides, a prospect of a
position in the imperial city itself. But his father at home would
agree to nothing.
Mozart now writes “in natural German, because all the world should know
it,” that the archbishop owed it entirely to his father that he did not
lose him yesterday, for all time. He had been annoyed altogether too
much at the concert yesterday. After a little, dissension broke out
in earnest. “I am out of myself. My patience has been tried so long
that it is at an end.” The archbishop had, even before this, called
him “a low fellow,” and told him to go his way. Mozart bore it for his
father’s sake. Then he was ordered suddenly to leave the house, and he
went to old Madame Weber’s, and had to live at his own expense. He,
therefore, did not want to go until this outlay at least was made up
for.
Public-domain text, read in full here on John Shaqi.
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