Little rays of moonshineHerbert, A. P. (Alan Patrick)
General
Little rays of moonshine
Herbert, A. P. (Alan Patrick)
English essays -- 20th century; English wit and humor
They stand round looking at the boxes of fish, and when one of them
twitches the flesh of his nose or faintly moves one of his eyelashes
it means that he has bought six stone of whiting for thirty shillings.
That is the only kind of sign they give, and the visitor will be wise
not to catch the auctioneer’s eye, or blow his nose or do any overt
action like that, or he may find that he has bought six stone of salmon
and halibut for forty-five shillings. At an auction of fish it is true
to say that a nod is as good as a wink; in fact, it is worse.
The dealers are silent, motionless men; but nobody else is. Everybody
else is dashing about and shouting as loud as he can. As each box of
fish is sold the porters dash at it and shout at it (of course in a
very gentlemanly way) and carry it off in all directions. It is quite
clear that nobody knows who has bought it or where it is going. The
idea of the whole thing is to impress the visitor with the mobility
of fish, and this object is successfully attained. No doubt when the
visitors have gone away they settle down and decide definitely who is
to have the fish.
It is now about half-past six. Fish is still rushing in at one end from
the ship and is rushing in at the other from the rail-vans. The porters
are throwing the fish at the dealers’ stalls (registering each hit in
their notebooks), and the dealers are throwing it on to the floor or
throwing it at each other or trying to throw it at a retailer, who
always puts on a haughty air and passes on to the next stall, till he
gets too entangled in the game and finds that he has bought twenty-four
stone of whiting at twopence a pound; then he throws it at some more
porters, and the porters dash outside and throw it at the carts, and
the carts clatter away to Kensington, and my wife buys a whiting at
tenpence a pound, and the circle of fish organization is complete.
At about this point it is a good thing to pass on to Covent Garden and
buy some flowers.
Little Bits of London
IV
THE BLOATER SHOW
The last time I was at Olympia--as everybody says at the door--it was
a Horse Show. But this time it is much the same. There they stand in
their stalls, the dear, magnificent, patient creatures, with their
glossy coats and their beautiful curves, their sensitive radiators
sniffing for something over the velvet ropes. Panting, I know they are,
to be out in the open again; and yet I fancy they enjoy it all in a
way. It would be ungrateful if they did not; for, after all, the whole
thing has been arranged for them. The whole idea of the Show is to let
the motors inspect the bloaters--and not what you think. (You don’t
know what bloaters are? Well, I can’t explain without being rude.)
All the year round they can study _ad nauseam_ their own individual
bloaters; but this is the only occasion on which they have the whole
world of bloaters paraded in front of them for inspection. Now only
can they compare notes and exchange grievances.
Public-domain text, read in full here on John Shaqi.
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