Women -- Social conditions -- 19th century -- Fiction
His affection for his child augmented the annoyance which he derived
from his domestic circle. He had been hitherto sullenly yielding on any
contest; but whatever whim, or whatever plan, he formed with regard to
his daughter, he abided by unmoved, and took pleasure in manifesting his
partiality for her. Lodore was by nature a man of violent and dangerous
passions, add to which, his temper was susceptible to irritability. He
disdained to cope with the undue influence exercised by Lady Santerre
over his wife. He beheld in the latter, a frivolous, childish puppet,
endowed with the usual feminine infirmities--
"The love of pleasure, and the love of sway;"
and destitute of that tact and tenderness of nature which should teach
her where to yield and how to reign. He left her therefore to her own
devices, resolved only that he would not give up a single point relative
to his child, and consequently, according to the weakness of human
nature, ever ready to find fault with and prohibit all her wishes on the
subject.
Cornelia, accustomed to be guided by her mother's watchful artifices,
and to submit to a tyranny which assumed the guise of servitude, felt
only with the feelings implanted by her parent. She was not, like Lady
Santerre, heartless; but cherished pride, the effect of perpetual
misrepresentation, painted her as such. She looked on her husband as a
man essentially selfish--one who, worn out by passion, had married her
to beguile his hours during a visitation of _ennui_, and incapable of the
softness of love or the kindness of friendship. On occasion of his new
conduct with regard to her child, her haughty soul was in arms against
him, and something almost akin to hatred sprung up within her. She
resented his interference; she believed that his object was to deprive
her of the consolation of her daughter's love, and that his chief aim
was to annoy and insult her. She was jealous of her daughter with her
husband, of her husband with her daughter. If by some chance a word or
look passed that might have softened the mutual sentiment of distrust,
the evil genius of the scene was there to freeze again the genial
current; and any approach to kindness, by an inexplicable but certain
result, only tended to place them further apart than before.
Public-domain text, read in full here on John Shaqi.
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