"Good-bye," I say to the actor. "Will you remember me to Miss Torsen? I
must go now."
"Good-bye," says he, shaking hands in some surprise. "Can't you wait a few
minutes? Well, all right, I'll give her your greeting. Good-bye,
good-bye."
I take a short cut to get out of the way, and as I know every nook and
corner, I am soon outside the farm, and find a good shelter. From here I
shall see when these two leave. She has only to say good-bye now to the
people of the farm.
It struck me that yesterday was the last time I spoke to her. We spoke
only a few insignificant words that I have forgotten, and today I have not
spoken to her....
Here they come.
Curious--they seemed somehow to have become welded together; though they
walked separately up the mountain track, yet they belonged together. They
did not speak; the essential things had probably already been said. Life
had grown ordinary for them; it still remained to them to be of use to
each other. He walked first, while she followed many paces behind; it was
lonely to look at against the rugged background of the mountain. Where had
her tall figure gone to? She seemed to have grown shorter because she had
hitched up her skirt and was carrying her knapsack on her back. They each
carried one, but he carried hers and she his, probably because, owing to
the greater number of her clothes, hers was the heavier sack. Thus had
they shifted their burdens; what burdens would they carry in the future?
She was, after all, no longer a schoolmistress, and perhaps he was no
longer with the theater or the films.
I watched those two crossing rocky, mountainous ground, bare ground, with
not a tree anywhere except a few stunted junipers; far away near the ridge
murmured the little Reisa. Those two had put their possessions together,
were walking together; at the next halt they would be man and wife, and
take only one room because it was cheaper.
Suddenly I started up and, moved by some impulse of human sympathy--nay,
of duty--I wanted to run across to her, talk to her, say a word of
warning: "Don't go on!" I could have done it in a few minutes--a good
deed, a duty....
They disappeared behind the shoulder of the hill.
Her name was Ingeborg.
XXVI
And now I, too, must wander on again, for I am the last at the Tore Peak
farm. The season is wearing on, and this morning it snowed for the first
time--wet, sad snow.
It is very quiet at the farm now, and Josephine might have played the
piano again and been friendly to the last guest; but now I am leaving,
too. Besides, Josephine has little to play and be cheerful for; things
have gone badly this year, and may grow worse as time goes on. The
prospect is not a good one. "But something will turn up," says Josephine.
She need not worry, for she has money in the bank, and no doubt there is a
young man in the offing, on the other side of the fjeld.
Public-domain text, read in full here on John Shaqi.
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