Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
A dainty little supper was placed before her, but she was too faint and
sick at heart for appetite, and would have excused herself. However,
Mrs. Aylward severely said she would have no such folly, filled a glass
of wine, and sternly administered it; then setting her down in a large
chair, helped her to a delicate cutlet. She ate for very fright, but
her cheeks and eyes were brightened, the mists of terror and exhaustion
began to clear away, and when she accepted a second help, she had felt
herself reassured that she had not fallen into unkindly hands. If she
could only have met a smile she would have been easier, but Mrs. Aylward
was a woman of sedate countenance and few words, and the straight set
line of lips encouraged no questioning, so she merely uttered thanks for
each act of hospitality.
“There! You will take no more roll? You are better, now, but you will
not be sorry to go to your bed,” said Mrs. Aylward, taking up a candle,
and guiding her along the passage up a long stair to a pretty room
wainscoted and curtained with fresh white dimity, and the window showing
the young moon pale in the light of the western sky.
Bedrooms were little furnished, and this was more luxurious than the
dear old chamber at home, but the girl had never before slept alone, and
she felt unspeakably lonely in the dreariness, longing more than ever
for Betty’s kiss--even for Betty’s blame--or for a whine from Harriet;
and she positively hungered for a hug from Eugene, as she gazed timidly
at the corners beyond the influence of her candle; and instead of
unpacking the little riding mail she kissed it, and laid her cheek on
it as the only thing that came from home, and burst into a flood of
despairing tears.
In the midst, there fell on her ears a low strain of melancholy music
rising and falling like the wailing of mournful spirits. She sprang to
her feet and stood listening with dilated eyes; then, as a louder note
reached her, in terror uncontrollable, she caught up her candle, rushed
down the stairs like a wild bird, and stood panting before Mrs. Aylward,
who had a big Bible open on the table before her.
“Oh, ma’am,” she cried, between her panting sobs, “I can’t stay there! I
shall die!”
“What means this, madam?” said Mrs. Aylward, stiffly, making the word
sound much like “foolish child.”
“The--the music!” she managed faintly to utter, falling again into the
friendly chair.
“The music?” said Mrs. Aylward, considering; then with a shade of polite
contempt, “O! Jumbo’s fiddle! I did not know it could be heard in your
room, but no doubt the windows below are open.”
“Is Jumbo that black man?” asked Aurelia, shuddering; for negro
servants, though the fashion in town, had not penetrated into the west.
“Mr. Belamour’s blackamoor. He often plays to him half the night.”
“Oh!” with another quivering sound of alarm; “is Mr. Belamour the
gentleman in the dark?”
Public-domain text, read in full here on John Shaqi.
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