London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
'Will it be ready in time for the season--I mean after Easter?'
'What! in a fortnight? How could they be ready to produce it in a
fortnight, especially with the Easter holidays between? It won't be
long, that I can promise you. I'm a quick worker.'
He waited a minute, and then said--
'You mustn't be depressed, Edith dear, if I get a little slating from
some of the critics, you know. You can't expect them all to appreciate a
new writer at once. And it really won't make any difference to the
success if my play pleases the public, which I don't mind telling you I
know it's sure to do; because, you see, it'll have all the good points
and none of the bad ones of all the successful plays of the last six
years. That's my dodge. That's how I do it.'
'I see.'
'Won't it be a joke when the governor and the mater are there on the
first night? They'll be frightfully pleased. You must try and prevent
the mater swaggering about it too much, you know. She's such a dear,
she's sure to be absurdly proud of it. And it'll be a bit of a score off
the governor in a way, too. He never would have thought I could do it,
would he? And Raggett will be surprised, too. You must have a ripping
new dress for the first night, Edith, old girl.'
'I think I shall have Liberty satin, dear--that new shade of blue--it
wears better than Nattier. But I won't order it just yet. You haven't
written the first scene, have you?'
'The first scene? No! Plays aren't done like that. The chief thing about
a play like this is to get a scenario.'
'Oh! Isn't that where the people sit?'
'Don't be ridiculous! You're thinking of the auditorium. I mean the
skeleton of the play. That's what I shall send round to the managers.
They can see what it's going to be like at once.'
'How many acts will it be?'
'Four.'
'And have you settled on the name?'
'Yes, as a matter of fact I have settled on a name; but don't you go
giving it away. It's rather an original name. It would do if I developed
the comedy interest just the same and just as well as if I made the
chief point the tragic part. It's going to be called _You Never Know_.
Good name, isn't it?'
'It's a splendid name. But isn't it a tiny bit like something else?'
'How unsympathetic you are! The fact is you don't understand. That's
what it is.'
'Oh, I do sympathise immensely, Bruce, and I'm sure you'll have a great
success. What fun it will be! Are you going to work at it this
afternoon?'
'Why, no! not _this_ afternoon. I'm rather tired out with thinking. I
think I shall go and look in at the club.'
CHAPTER XVIII
Hyacinth Waits
'He's coming this afternoon, Anne,' Hyacinth said. 'See that I'm really
alone today--I mean that I'm out to everyone.'
'You think, then, that he really will propose today?'
'Don't be so horribly explicit. Don't you think his having to go the
other day--because of Lady Cannon--would lead to a sort of crisis? I
mean, either he wouldn't come here again, or else--'
Public-domain text, read in full here on John Shaqi.
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