Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is not surprising that Goethe's indifference to this, as to other
results of the great reaction, strengthened Börne's hatred for a
personality that appeared great upon no side accessible to him. In
his notice of Bettina's book, _Goethe's Briefwechsel mit einem Kinde_
("Goethe's Correspondence with a Child")--perhaps the most misleading
criticism he ever wrote--Börne says: "What made Goethe, that greatest
of poets, the smallest of men? What entwined hops and parsley in his
wreath of laurel? What set a night-cap on his lofty brow? What made him
a slave of circumstances, a cowardly Philistine, a mere provincial?
He was a Protestant, and his family belonged to the ruling class in
Frankfort, from among whom its senators were chosen. At the age of
sixty, at the zenith of his fame, with the incense-clouds under his
feet separating and sheltering him from the base passions of the
valley-dweller, it angered him to hear that the Frankfort Jews demanded
the rights of citizens, and he foamed with rage at the 'humanitarian
twaddlers' who championed their cause."
It was his relations with the great ones of the earth that Börne could
least of all forgive Goethe.
He overlooked the fact that the generation that lay between him and
Goethe meant a complete change in the position of the author towards
men of rank and the public generally. In Germany in the eighteenth
century authors did not live on their works, but on their dedications.
Poets were obliged to seek the favour of a high-born patron, to educate
young noblemen, or accompany young princes on their educational tours.
Wieland accepted money in return for his dedications; Schiller gladly
accepted the assistance which the Duke of Augustenburg procured for him
from Denmark. In the end of the eighteenth century, kings, princes,
and the aristocracy generally, took a true and keen interest in
philosophy and poetry, in all the new truth and beauty; they sought the
acquaintance of authors, and associated with them as with their equals.
With the French Revolution these admirable relations came to an end,
but Goethe's position dated from before the Revolution.
Public-domain text, read in full here on John Shaqi.
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