It would have been laughable, had it not been pathetic, to watch her drag Mr. Man into the games, and to see him succumb to her persuasions with his face hanging out flaming signals of embarrassment. In the ‘Carrier Doves’ the little pigeons flew with an imaginary letter to him, and this meant that he was to stand and read it aloud, as Mary and Edith had done before him. ‘It seems to be a letter from a child,’ he faltered, and then began stammeringly, ‘“My dear Mr. Man”’—there was a sudden stop. That there was a letter in his mind nobody could doubt, but he was too greatly moved to read it. Rhoda quickly reached out her hand for the paper, covering his discomfiture by exclaiming, ‘The pigeons have brought Mr. Man a letter from some children in his fatherland! Yes’ (reading), ‘they hope that we will be good to him, because he is far away from home, and they send their love to all Mistress Mary’s children. Wasn’t it pretty of the doves to remember that Mr. Man is a stranger here?’ The Solitary appeared for the last time a week before Thanksgiving Day, and he opened the door on a scene of jollity that warmed him to the heart. In the middle of the floor was a mimic boat, crowded from stem to stern with little Pilgrim fathers and mothers trying to land on Plymouth Rock, in a high state of excitement and an equally high sea. Pat Higgins was a chieftain commanding a large force of tolerably peaceful Indians on the shore, and Massasoit himself never exhibited more dignity; while Marm Lisa was the proud mother of the baby Oceanus born on the eventful voyage of the _Mayflower_. Then Mistress Mary told the story of the festival very simply and sweetly, and all the tiny Pilgrims sang a hymn of thanksgiving. The Solitary listened, with his heart in his eyes and a sob in his throat; then, Heaven knows under the inspiration of what memory, he brushed Edith from the piano-stool, and, seating himself in her place, played as if he were impelled by some irresistible force. The hand of a master had never swept those keys before, and he held his hearers spellbound. There was a silence that could be felt. The major part of the audience were not of an age to appreciate high art, but the youngsters were awed by the strange spectacle of Mr. Man at the piano, and with gaping mouth and strained ear listened to the divine harmonies he evoked. On and on he played, weaving the story of his past into the music, so it seemed to Mistress Mary. The theme came brokenly and uncertainly at first, as his thoughts strove for expression. Then out of the bitterness and gall, the suffering and the struggle—and was it remorse?—was born a sweet, resolute, triumphant strain that carried the listeners from height to height of sympathy and emotion. It had not a hint of serenity; it was new-born courage, aspiration, and self-mastery the song of ‘him that overcometh.’