Governesses -- Fiction; Love stories; New York (N.Y.) -- Fiction; Working class women -- Fiction
For a moment his wife stood silent under the blow, and all it entailed.
Then, with an almost imperceptible squaring of her broad shoulders, she
braced herself to meet it, as she herself would say, like a soldier.
"Well, it's kinder hard on _you_, lad," she answered. "But there's no
use grievin'. If it had to happen, it couldn't 'a' happened at a better
time, for you bein' home, an' able to look after Francie, will give me a
chance to go out reg'lar to my work again. An' before you know it,
Francie, she'll be running about as good as new, an' you'll have
another job, an' we'll be on the top o' the wave. Here's Miss Claire,
bless her, payin' me seven dollars a week board, which she doesn't eat
no more than a bird, an' Sammy singin' in the surplus choir, an' gettin'
fifty cents a week for it, an' extra for funer'ls (it'd take your time
to hear'm lamentin' because business ain't brisker in the funer'l
line!). Why, _we_ ain't no call to be discouraged. You can take it from
me, Sammy Slawson, when things seem to be kinder shuttin' down on ye,
an' gettin' black-like, same's they lately been doin' on us, that ain't
no time to be chicken-hearted. Anybody could fall down when they're
knocked. That's too dead-easy! No, what we want, is buck up an' have
some style about us. When things shuts down an' gets dark at the
movin'-picture show, then it's time to sit up an' take notice. That
means somethin's doin'--you're goin' to be showed somethin' interestin'.
Well, it's the same with us. But if you lose your sand at the first
go-off, an' sag down an' hide your face in your hands, well, you'll miss
the show. You won't see a bloomin' thing."
And Martha, sleeves rolled up, enveloped in an enormous blue-checked
apron, returned to her assault on the dough she was kneading, with
redoubled zeal.
"Bread, mother?" asked Sam dully, letting himself down wearily into a
chair by the drop-table, staring indifferently before him out of blank
eyes.
"Shoor! An' I put some currants in, to please the little fella. I give
in, my bread is what you might call a holy terror. Ain't it the caution
how I can't ever make bread fit to be eat, the best I can do? An' yet, I
can't quit tryin'. You see, home-made bread, _if it's good_, is cheaper
than store. Perhaps some day I'll be hittin' it right, so's when you ask
me for bread I won't be givin' you a stone."
She broke off abruptly, gazed a moment at her husband, then stepped to
his side, and put a floury hand on his shoulder. "Say, Sam, what you
lookin' so for? You ain't lost your sand just because they fired you?
What's come to you, lad? Tell Martha."
For a second there was no sound in the room, then the man looked up,
gulped, choked down a mighty sob, and laid his head against her breast.
Public-domain text, read in full here on John Shaqi.
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