"No! I'll be hanged if I bury her there," said the old man in great
wrath. "I'll bury her in the graveyard."
New England can boast her beautiful places of sculpture, but as a
common thing they are too much neglected, and attractive only to the
lover of oddities and curious old epitaphs. Occasionally you may see
a strangely shaped tomb, or as in a well-known village, a knocker
placed on the door of his family vault by some odd specimen of
humanity. When asked the reason for doing so singular a thing, he
gravely replied that "when the old gentleman should come to claim his
own, the tenants might have the pleasure of saying, 'not at home,' or
of fleeing out of the back door."
In passing through these neglected grounds you will often find some
touchingly beautiful scriptural allusion--some apt quotation or some
emblem so lovely and instructive that the memory of it will go with
you for days. Here in a neglected spot and amid a cluster of raised
stones is the grave of the stranger clergyman's child, who died on
its journey. The inscription is sweet when taken in connection with
the portion of sacred history from which the quotation is made: "Is
it well with the child? And she answered, It is well." Again, the
only inscription is an emblem--a butterfly rising from the chrysalis.
Glorious thought, embodied in emblem so singular! "Sown in
corruption, raised in incorruption!"
Then come you to some strangely odd, as for instance:
"Here lies John Auricular,
Who in the ways of the Lord walked perpendicular"
Again:
"Many a cold wind o'er my body shall roll
While in Abraham's bosom I'm feasting my soul"
appropriate certainly, as the grave was on a cold northeast slope of
one of our bleak hills. Again, a Dutchman's epitaph for his twin
babes:
"Here lies two babes, dead as two nits,
Who shook to death mit ague fits.
They was too good to live mit me.
So God He took 'em to live mit He."
There is the grave of a young man who, dying suddenly, was eulogized
with this strange aim at the sublime:
"He lived,
He died!"
Not a hundred miles from Boston is a gravestone the epitaph upon
which, to all who knew the parties, borders strongly upon the
burlesque. A widower who within a few months buried his wife and
adopted daughter, the former of whom was all her life long a thorn in
his flesh, and whose death could not but have been a relief, wrote
thus: "They were lovely and beloved in their lives, and in death were
not divided." Poor man! Well _he_ knew how full of strife and
sorrow an evil woman can make life! He was worn to a shadow before
her death, and his hair was all gone. Many of the neighbors thought
surely that _he_ well knew what had become of it, especially as
it disappeared by the handful. But the grave covers all faults; and
those who knew her could only hope that she might rest from her
labors and her works follow her!
Public-domain text, read in full here on John Shaqi.
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