The absence of life and bustle in the streets was as striking as in
Bridgetown. Most of the people in the Government offices belonged to
the Fourth Class, and as these all lived in the two quarters running
north and south of the central ring, they could reach their offices
in a very short time. The midday meal was taken in a canteen within
the office. The few inferior employees, messengers, porters, cleaners,
etc., who belonged to the Fifth or Sixth Class, lived almost as near.
The higher Civil servants of the Third Class, who of course were less
numerous, did not make a crowd in the street. The green uniforms
of the Fourth Class were the most conspicuous object everywhere.
The industrial classes, living as they do on the side nearest the
industrial town, are transported by an ingenious system of trams and
underground and overhead railways, so that in half an hour they can
all get from their homes to their work, where they remain all day. All
goods arriving from the industrial town for distribution to the Stores
are carried by a regular service of motor-vans. The distribution of
goods to houses is so systematised as to require comparatively few
vehicles. For instance, certain kinds of goods can be delivered only
once a month for each household, others only once a week. Consequently
one sees a perfectly regular stream of traffic, which is never very
dense and never congested. All this might have been very interesting
to a student of municipal socialism and mechanical organisation, but
my chief interests lay in other directions, and it was not until we
came to the cultural institutions that I found things so remarkable,
at any rate from my own point of view, that I shall make no apology
for describing them with some fullness here, even at the risk of being
tedious to those who think more of locomotion than of liberty, or who
regard the Post Office as the highest symbol of civilisation.
I had looked forward with some curiosity to my first visit to a
Meccanian Art Gallery, for, as I had not been into any private houses,
and as there are no shop windows, I had seen hardly any signs of
Meccanian Art Culture, except in Architecture. The decorative work in
the public buildings did not impress me favourably. It was Patriotic
Art, executed by the students of the Imperial Meccanian Academy.
Prigge announced that, as he had been promoted to a higher grade in the
Police Service, he would no longer be available to conduct me. By way
of consoling me for the deprivation he said that in any case I should
have to be handed over to various specialist conductors, as I had
almost completed the general part of my tour and had reached the stage
when I should have to begin the study of definite branches of Meccanian
culture. He had consequently arranged for me to spend the first three
days in the Great Meccanian Gallery under the guidance of Specialist
Art Section Sub-Conductor Musch.
Public-domain text, read in full here on John Shaqi.
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