Jagger removed his eyes and the tense look left his face. For a while he
did not speak and the father was also silent. Then he said:
“I’ll try to see her to-morrow. She’ll be going to Betty Walker’s and I
can meet her as she comes down t’ Cove road. But she’s a temper of her
own and I bet a dollar we fratch.”
Something not unlike a sigh, but with a touch of impatience in it,
escaped Maniwel’s lips.
“If you meet her wi’ your prickles out you might as well stop at home,”
he said. “Turn ’em inside so as they’ll check your tongue, and then
you’ll maybe win through.”
CHAPTER IX
IN WHICH ONE LOVER WALKS OUT AND ANOTHER
WALKS IN
PURE is the air on Mawm moor, charged with the virtues of the sea and
the strength of the hills! and pure are the streams that fill the
runnels and tinkle their accompaniment to the music of the breeze as it
sweeps the strings of bent grass and reed!
Good and desirable as these things are, however, Mawm can claim in their
possession nothing extraordinary. There are other moors where the air is
as heavily charged with life’s elixir and the waters course as sweet and
fresh.
But in the Cove, Mawm has something altogether unique; it has, as I have
said, one of the most imposing natural wonders of the land. To picture
it imagine yourself first on a wide stretch of moorland, hemmed in by
mountains—a grassy moor, whose surface is scarred by great terraces of
fissured limestone in whose crevices the winds and the birds have
dropped seeds of ferns and flowers that peep above the tops and splash
the scene with colour.
Imagine an impossible giant furnished with an impossible spade, standing
on the edge of the moor where it begins to fall steeply down into the
valley. He is a giant of the unrecorded past when impossible things
happened; when frozen waters sundered continents and shattered mountains
and scooped out valleys; when great rocks were hurled as if they had
been shuttlecocks from peaks that seemed firm as the world’s
foundations, and embedded themselves on far distant slopes where they
were alien to the soil.
It is a hollow, crescent-shaped spade on which our giant sets his foot,
and he thrusts it vertically through the solid limestone, piling up the
débris (soon to be covered with the short grass of the moors) on either
side as he proceeds until instead of the green declivity you see a
perpendicular cliff, little short of three hundred feet in height and
nearly a quarter of a mile wide, dazzlingly white when the southern sun
rests there; spectral in the colder moonlight.
Public-domain text, read in full here on John Shaqi.
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