Sinclair, Mary Craig, 1883-1961; Sinclair, Upton, 1878-1968; Telepathy; Telepathy -- Case studies
Series number eight, on Feb. 10, brought even stranger results. This is
the series in which the laced-up football was turned into a calf wearing
a belly-band (Figs. 15, 15a). But even while I was engaged in making the
drawings, sitting in my study apart, and with the door closed, Craig’s
busy magic, whatever it is, was bringing her messages. She called out:
“I see a rooster!” I had actually drawn a rooster; but of course I made
no reply to her words. She at once drew a rooster and several other
things, and after I had brought my drawings into the room, but before
she had started to work with them, she wrote as follows:
“While Upton was making these drawings I sat before the fire thinking
how to dry felt slippers which I had washed. I had my mind on them. Hung
them on grating to see if they would hang there without burning.
Suddenly saw rooster crowing. Then thought, ‘Can U be drawing rooster?’
Decided to make note of this. Did so. Then saw”—and she draws a circle
with eight radiating lines, like spokes of a wheel.
In due course came drawing number eight, and before looking at it, Craig
wrote: “Rooster.” Then she added, “But no—it looks like a picture of
coffee-pot—see spout and handle.” This is hard on me as an artist, but I
give the drawing and let you judge for yourself (Fig. 61):
[Illustration: Fig. 61]
What about the circle and the radiating spokes? That was, apparently, a
fore-glimpse of drawing number five. I give you that, together with what
Craig drew for that particular test when it came. Her effort suggests
the kind of humor with which the newspaper artists used to delight my
childhood; a series of drawings in which one thing turns into some other
and quite unexpected thing by gradual changes. You will see here how the
hub of a wagon-wheel may turn into the muzzle of a deer! (Figs. 62,
62a):
[Illustration: Fig. 62]
[Illustration: Fig. 62a]
_15_
What are the principles upon which I have classified the drawings, as
between success, partial successes, and failures? I will use this
series, number eight, to illustrate. There are eight drawings, and I
have set them down as one success, six partial successes, one failure.
The success is the rooster (Fig. 61), called “a rooster,” even though it
“looks like a coffee pot.” The partial successes are, first, an electric
light bulb, very crudely imitated as to shape in three drawings. Perhaps
this was hardly good enough to be counted; it was a border-line case,
and probably the poorest that I admitted to the classification of
“partial successes” (Fig. 63a).
[Illustration: Fig. 63a]
Second, the ascending sky-rocket, already printed as fig. 38, giving
rise to six different drawings of whirligigs and light. Third, the
following drawing, for which Craig wrote: “See spider, or some sort of
legged pest. If this is not a spider, there is a spider in the lot
somewhere! This I know!” (Fig. 64):
[Illustration: Fig. 64]
Public-domain text, read in full here on John Shaqi.
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