Metapsychical Phenomena: Methods and ObservationsMaxwell, J. (Joseph)
Philosophy
Metapsychical Phenomena: Methods and Observations
Maxwell, J. (Joseph)
Parapsychology -- Investigation
With Eusapia, the sitters’ chairs were frequently displaced, shaken,
raised, and even carried on to the table. I cannot conceive how Eusapia
could have obtained such results normally, considering the strict test
conditions exacted at l’Agnélas. We had been courteously acquainted
with the results of the Cambridge seances, and our attention had been
very specially drawn to the fraudulent practices of this medium. One of
us held her feet and her waist, while the mission of two others, seated
on either side of her, was to observe her hands. It is relatively easy
to know if we hold a right or left hand: it suffices to carefully note
the position of the thumb, which ought always to be turned towards the
observer if the hand be directed palm upwards, and which ought to be
turned towards the medium if the hand be directed palm downwards. It
is unnecessary to hold the medium’s hand tightly in order to be aware
of its position: an ordinary contact, intelligently superintended,
is quite enough; it is of course necessary to make sure of the
simultaneous contact of thumb and fingers. Now, in a certain number
of cases, the check upon the medium was good, when the chair of one
of the sitters was carried on to the table. It is also to be noted,
that Eusapia would have been forced to lean forward in a very marked
manner, in order to seize her neighbour’s chair and carry it on to the
table; the inclination of her body would have been easily perceived,
especially as the chair was first of all drawn away from under the
experimenter and then raised on to the table, manœuvres which occupied
some time.
Other phenomena of the same kind were, however, produced in a more
conclusive manner. I remember having seen the lid of a trunk, which was
placed behind the experimenters and to the left of Eusapia, open and
shut of its own accord.
Public-domain text, read in full here on John Shaqi.
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