Miscellaneous Writings and Speeches — Volume 3 — John Shaqi
Miscellaneous Writings and Speeches — Volume 3Macaulay, Thomas Babington Macaulay, Baron
History
Miscellaneous Writings and Speeches — Volume 3
Macaulay, Thomas Babington Macaulay, Baron
English essays
About the plan of Rasselas little was said by the critics; and yet the
faults of the plan might seem to invite severe criticism. Johnson has
frequently blamed Shakspeare for neglecting the proprieties of time and
place, and for ascribing to one age or nation the manners and opinions
of another. Yet Shakspeare has not sinned in this way more grievously
than Johnson. Rasselas and Imlac, Nekayah and Pekuah, are evidently
meant to be Abyssinians of the eighteenth century: for the Europe which
Imlac describes is the Europe of the eighteenth century; and the inmates
of the Happy Valley talk familiarly of that law of gravitation which
Newton discovered, and which was not fully received even at Cambridge
till the eighteenth century. What a real company of Abyssinians would
have been may be learned from Bruce's Travels. But Johnson, not content
with turning filthy savages, ignorant of their letters, and gorged
with raw steaks cut from living cows, into philosophers as eloquent and
enlightened as himself or his friend Burke, and into ladies as highly
accomplished as Mrs Lennox or Mrs Sheridan, transferred the whole
domestic system of England to Egypt. Into a land of harems, a land of
polygamy, a land where women are married without ever being seen, he
introduced the flirtations and jealousies of our ball-rooms. In a land
where there is boundless liberty of divorce, wedlock is described as the
indissoluble compact. "A youth and maiden meeting by chance, or brought
together by artifice, exchange glances, reciprocate civilities, go home,
and dream of each other. Such," says Rasselas, "is the common process
of marriage." Such it may have been, and may still be, in London, but
assuredly not at Cairo. A writer who was guilty of such improprieties
had little right to blame the poet who made Hector quote Aristotle, and
represented Julio Romano as flourishing in the days of the oracle of
Delphi.
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