Miser Farebrother: A Novel (vol. 1 of 3)Farjeon, B. L. (Benjamin Leopold)
General
Miser Farebrother: A Novel (vol. 1 of 3)
Farjeon, B. L. (Benjamin Leopold)
Fiction
"With _such_ actors," continued Kiss, "with _such_ an organization,
with _such_ resources, with _such_ lavish, but not unwise, expenditure,
with _such_ a following, not only the poetical drama, but any kind of
drama, may be staged with assured result. Had Linton's play been
produced _there_, you would see him now all smiles instead of down in
the dumps. I don't say to him 'What is the use?' A man has his
feelings, and a dramatic author has a double share, which makes it bad
for him when the reverse happens. Linton's play was not produced at one
of the theatres I have indicated--more's the pity. But a time may come.
Do you hear me, Linton?"
"I am deeply grateful to you," said Mr. Linton. "You are the best
fellow in the world."
"That is sentiment, mere sentiment," said Kiss, coughing down the
compliment. "We are now talking business, and I am, so to speak,
showing our mutual friend the ropes, and letting him behind the scenes.
Not quite the fairy-land most people imagine. I was engaged for the run
of Linton's play, and as it ran off instead of on, I am now out of an
engagement. Do I blame him? Not a bit of it. He would have as much
reason to blame me. You see, Leth, there are certain rules and certain
fashions in our line which it is as dangerous to violate as in most
lines of business. For instance, would you take a shop on the wrong
side of the road?"
"No," replied Mr. Lethbridge, rather vaguely.
"There are business sides and unbusiness sides. Here, a shop is worth
five hundred pounds a year; across the road it isn't worth fifty. So
with theatres. Here, comedy; here, comic opera; here, melodrama; here,
spectacle; here, Shakespeare and the classic; and so on, and so on.
Risk the unsuitable and you come to grief. That's what we did; for I'm
bound to confess that Linton was largely influenced by my advice in the
matter. I had so firm a belief in the play that I thought it would
score anywhere. It _did_ score at the Star, but it scored the wrong
way, because it was played at the wrong theatre. A knock-down blow!
What then? Why, rise, and at it again!--yes, though you get a dozen
knock-down blows. Nil desperandum: that's my motto. Life's a fight. Are
you waiting for a cue, Linton?"
"You are quite right in your observations," said the poor author, with
a sad smile; "but it is easier for you to rise after a knock-down blow
than it is with me. You are a favourite with the public; they welcome
you the moment you make your appearance. The last time I appeared
before them they howled at me. And it meant so much! It was not only a
case of disappointed ambition and wounded vanity, but there was, at
home----I beg your pardon; I scarcely know what I was about to say."
Mr. Lethbridge thought of the empty platters which Kiss had spoken of,
and he gazed commiseratingly at Mr. Linton.
Public-domain text, read in full here on John Shaqi.
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