Miss America; pen and camera sketches of the American girl — John Shaqi
Miss America; pen and camera sketches of the American girlBlack, Alexander
General
Miss America; pen and camera sketches of the American girl
Black, Alexander
Women -- United States; Women -- United States -- Social conditions
No woman could be more completely, undebatably sane than the Professor.
I know what I am talking about. And yet the Professor wears a hat. I
had occasion, one day, when she had left it for a moment on a table,
to study it analytically as a creation. It was a fearful and wonderful
thing. No man ever can forget the moment when first, with mature
deliberation, and in a consciousness of the vast significance of life,
he takes up a woman’s hat, timorously, as if it were a ten-inch shell
or Minerva’s helmet, and gazes into its fragile fastness. When I
mentally grasped, as a man may in the absence of the wearer, the many
and extraordinary elements of the Professor’s hat; when I sought to
associate its multi-colored grotesqueness with the classic simplicity
of the Professor’s profile; when I figured its heterogeneous elements
as an object of decoration for the Professor’s outward and visible
effect; when I fancied the Professor’s brain flashing and glowing under
this riotous symbolism, I was filled with a new sense of the futility
of reason, a new awe for the wonder of woman.
[Illustration]
Dr. Holmes has spoken of the hat as “the vulnerable point of the
artificial integument”; but plainly he was speaking of the masculine
hat, for woman’s hat is no vulnerable point with her. It is her strong
point, her point of vantage, the citadel of her sophistries. You can
reason with her about other things, but you cannot reason with her
about her hats; not, mind you, because she will not listen, but because
she, or the hat, makes you not want to. This is not to say that it
makes no difference who wears the hat. It does make a difference. Take
a device like the calash, such as our great-grandmothers wore. There
were faces that did not look well in it, faces which quite naturally
might have made us think less well of the calash for the moment. Under
certain other circumstances--that is to say, over a certain other head,
its quaintness begins to have a meaning, and it seems as natural and
acceptable as anything else which the right face and the right person
choose to display for us. Thackeray contended that sauer-kraut tastes
good in Germany, and it is notorious that the bagpipes sound quite
reasonable in Scotland. In the same way, there is no form of hat yet
devised by human ingenuity that will not tempt forgiveness when it is
on the right woman.
Public-domain text, read in full here on John Shaqi.
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