He opened the little window--’twas no more than a pane of dull glass a foot square--and pushed out the barrel of his musket. On the instant the explosion followed, and the light in the stable disappeared. We heard the crash of the lanthorn as it was driven against the wall, and the sudden stamping and kicking of frightened horses. “’Tis as dark as the grave,” says John, closing the window carefully. “Let ’em feel their way to the corn-bins,” he says, and we turned to go to our several posts again. However, before we were at the head of the great staircase there came new developments, which rather startled me and gave a different turn to affairs. The silence of the night--which had seemed twice as deep since John Stirk discharged his piece--was suddenly broken by what appeared to be a regular fusilade, and at the same moment a loud crashing of glass and splintering of woodwork gave us notice that at last we were under fire. Close upon their noise followed a shrill scream from the corridor where we had left Peter and Benjamin. “Somebody’s hit!” says I, and we ran along the passages. Ere we had taken many steps our feet grated on broken glass or kicked against fragments of woodwork. At the corner of the corridor leading to Sir Nicholas’s room stood Mistress Alison, holding a lamp above her head and gazing towards us with anxious looks, “No lights!” roars I. “Go back, cousin--you give them a chance to see us,” and I hurried Peter and Benjamin along the passage into an inner chamber, where we might strike a light without danger. “I’m hit somewhere,” says Peter. “I can feel the blood running.” But it was only a deep scratch that he had got in his cheek, from which the blood ran pretty freely into his neckcloth. “Off you go to Barbara for a clout,” says I, and went back with John and Benjamin to the corridor. The night air was blowing in raw and cold, for all the window was shot away. “It’s a lucky thing we wasn’t in front on’t, Master Richard,” says Benjamin. “They must ha’ fired all their pieces at it.”