Moments of Vision and Miscellaneous VersesHardy, Thomas
General
Moments of Vision and Miscellaneous Verses
Hardy, Thomas
English poetry; World War, 1914-1918 -- Poetry
“O, though giving such
Some head-room, I smile
At your falterings
When noting those things
Round your domicile!
For what, what can touch
One whom, riven of all
That makes life gay,
No hints can appal
Of more takings away!”
PATHS OF FORMER TIME
NO; no;
It must not be so:
They are the ways we do not go.
Still chew
The kine, and moo
In the meadows we used to wander through;
Still purl
The rivulets and curl
Towards the weirs with a musical swirl;
Haymakers
As in former years
Rake rolls into heaps that the pitchfork rears;
Wheels crack
On the turfy track
The waggon pursues with its toppling pack.
“Why then shun—
Since summer’s not done—
All this because of the lack of one?”
Had you been
Sharer of that scene
You would not ask while it bites in keen
Why it is so
We can no more go
By the summer paths we used to know!
1913.
THE CLOCK OF THE YEARS
“A spirit passed before my face; the hair of my flesh stood up.”
AND the Spirit said,
“I can make the clock of the years go backward,
But am loth to stop it where you will.”
And I cried, “Agreed
To that. Proceed:
It’s better than dead!”
He answered, “Peace”;
And called her up—as last before me;
Then younger, younger she freshed, to the year
I first had known
Her woman-grown,
And I cried, “Cease!—
“Thus far is good—
It is enough—let her stay thus always!”
But alas for me. He shook his head:
No stop was there;
And she waned child-fair,
And to babyhood.
Still less in mien
To my great sorrow became she slowly,
And smalled till she was nought at all
In his checkless griff;
And it was as if
She had never been.
“Better,” I plained,
“She were dead as before! The memory of her
Had lived in me; but it cannot now!”
And coldly his voice:
“It was your choice
To mar the ordained.”
1916.
AT THE PIANO
A WOMAN was playing,
A man looking on;
And the mould of her face,
And her neck, and her hair,
Which the rays fell upon
Of the two candles there,
Sent him mentally straying
In some fancy-place
Where pain had no trace.
A cowled Apparition
Came pushing between;
And her notes seemed to sigh,
And the lights to burn pale,
As a spell numbed the scene.
But the maid saw no bale,
And the man no monition;
And Time laughed awry,
And the Phantom hid nigh.
THE SHADOW ON THE STONE
Public-domain text, read in full here on John Shaqi.
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