England -- Social life and customs -- Fiction; Triangles (Interpersonal relations) -- Fiction
"It must be my father," he said, and his hand fell away from Miriam's;
but for a few seconds he stared at her as though she could tell him what
had happened. Then he went after the dog in his swift passage through
the trees, while, urged by an instinct to help and a need for George's
solid company, Miriam followed. She was soon outstripped, so that her
descent was made alone. Twigs crackled under her feet, the ranks of
trees seemed to rush past her as she went, and, with the return of
self-remembrance, she knew that this was how she had felt long ago when
she read fairy stories about forests and enchanted castles.
Yet she would have been less alarmed at the sight of a moated,
loop-holed pile than at this of Halkett's farm, a white-washed
homestead, with light beaming from a window on the ground floor, the
whole encompassed by a merely mortal possibility of strange events. Her
impulse had been to rush into the house, but she stood still, feeling
the presence of the trees like a thick curtain shutting away the outer,
upper world and, having paused, she found that she could not pursue her
course.
"I must go back," she whispered. After all, this was not her affair.
A murmur of voices came from the lighted room; the movement of a horse
in the stables was the friendliest sound she had ever heard.
Reluctantly, for she was alive with curiosity, she turned to go when a
step rang on the flagged passage of the farm and George stood in the
doorway. He beckoned and met her half way across the yard.
"He's gone," he said, and he looked dazed. "Can't believe it," he
muttered.
"Oh!" she said under her breath. "Oh, dear!" It was her turn to put a
hand on him, for she was afraid of death.
"Can't believe it," he said again, and taking her with him, he went as
though he were drawn, towards the lighted windows and looked in.
"Yes," he said, assuring himself that this thing really was.
Fascinated by the steadfastness of his gaze, Miriam looked too and drew
back with a muffled cry. She had seen the old man rigid on a red velvet
sofa, his head on a yellow cushion, his grey hair in some way coarsened
by the state of death, his limbs clad in the garments of every day and
strangely insulted by them. Near him, with her back to the window and
straight and stiff as a sentinel, sat Mrs. Biggs, the housekeeper, the
knob of her smooth black hair defying destiny.
Still whispering, Miriam begged, "George, don't look any more." Her
horror was as much for the immobile woman as for the dead man. "Come
away, before she turns round. I want to go home. George--I'm sorry."
"Yes," he said.
"Good-night."
"Good-night," he answered, and she saw him look through the window
again.
Public-domain text, read in full here on John Shaqi.
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