Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
Among the English private collections about two centuries ago deserves
to be noticed one which was formed by Thomas Britton, the small-coal
man. This extraordinary musical amateur, born in the year 1656 of poor
parents in Northamptonshire, set out for London while still a lad to
gain his living. After various vicissitudes he succeeded in his project
by becoming a seller of small-coal. During the day he wandered through
the streets carrying a sack of coals on his back, and crying them for
sale. In the evening he practised his viol, and studied the theory of
music. Moreover, he was as fond of studying chemistry as he was of
making music. The library of books and musical compositions which he
collected from second-hand book-stalls, in his peregrinations through
the streets during a period of thirty-six years, was extensive,
considering his position. A list of his music-books is given in
Hawkins's 'History of Music.' Thomas Britton lived in Aylesbury Street,
Clerkenwell, in a hired stable converted into a dwelling-house. The
ground-floor he used for the repository of his small-coal; and the room
above--a long and narrow space, with a ceiling so low that a tall man
could but just stand upright in it--was his concert-room. Here the best
musicians in London--among them Dr. Pepusch, Matthew Dubourg, the
violinist, who at that time was a little boy, and Handel, during the
last four years of Thomas Britton's life--were glad to perform. The fine
concerts and the estimable character of Thomas Britton became soon more
generally appreciated; his concerts, given gratuitously, attracted a
genteel audience, among whom might be seen dukes, lords, and other
persons of rank and wealth. The musical instruments of this great
small-coal man, which were sold by public auction after his death in
1714, are entered in the catalogue of the sale as follows:--"A fine
guitar in a case. A good dulcimer. Five instruments in the shape of
fish. A curious ivory Kitt and bow in case. A good violin by Ditton.
Another very good one. One said to be a Cremona. An extraordinary
Rayman. Three others ditto. One very beautiful one by Claud Pieray of
Paris, as good as a Cremona. One ditto. Another very good one. Another
ditto. A very good one for a high violin. Another ditto. An excellent
tenor. Another ditto by Mr. Lewis. A fine viol by Baker of Oxford.
Another excellent one, bellied by Mr. Norman. Another, said to be the
neatest and best that Jay ever made. A fine bass violin, new-neck'd and
bellied by Mr. Norman. Another rare good one by Mr. Lewis. A good
harpsichord by Philip Jones. A Rucker's virginal, thought to be the
best in Europe. An organ of five stops, exactly consort pitch, fit for a
room, and with some adornments may serve for any chapel, being a very
good one."
Public-domain text, read in full here on John Shaqi.
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