My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
I watched the work with interest. Plock and Miskin were busy at the
bow-chains, Swank, Wigmore and Frissell prepared the site, hewing
out rude blocks with their ice picks, while Sausalito cackled
encouragement. She was knitting a slip-on of reindeer yarn.
Suddenly a shout of dismay rose from under our forefoot. I saw Plock
and Miskin struggling with the bowsprit. Evidently they had completely
miscalculated the strength of the magnetic pull.
"Help!" cried Plock.
I sprang forward, even as the others threw down their picks and dashed
toward the bow.
We were too late.
Jammed against the side of the ship, his hands torn and bleeding Miskin
was forced to relinquish his grasp. With but the weight of Plock at its
butt end the long pole shot off at an angle across the ice.
"Leave it go!" I ordered.
But Plock was too dazed, too enraged to hear me. Fortunately at a
distance of two hundred yards his head struck a ridge of ice and he
keeled over.
Free of all hindrance, the steel stick bounded off with amazing
rapidity, leaving a faint trail, straight and true to the Magnetic
North. I watched it through my glasses until it disappeared over the
horizon to the southwest,--and there it is today, for all to see who
visit those strange regions, a record of the Traprock Expedition placed
there by a power more mysterious and greater than that of human hands.
Plock was gathered up and the company once more assembled.
This time I wasted no words. "Men, we are there. Beyond yonder eminence
is the Pole. Ten minutes, twenty at most, and then--rest!"
ABOUT TO BE CAPTURED
This picture represents what is probably the high-spot in Dr.
Traprock's absorbing narrative, namely, the moment just before the
author and his friend Swank burst from their hiding-places and
captured Ikik, the Klinka maid, who is seen crouching over the
bait which in this case was the scarlet hunting-coat worn by Dr.
Traprock during many an exciting chase, though none, we venture
to say, compared to this. Critics of this picture have said that
the coat seemed unnecessarily voluminous. In explanation it may
interest our readers to know that at meetings of the Derby Hounds,
which organization takes its origin from the ancient Epsom Hunts of
England, the M.F.H. wears the medieval hunting costume, the folds
of which cover the rider, horse and at times several of the hounds
as well. The thought of our intrepid friend Traprock thus clad in
full cry suggests an inspiring sight. He says himself with his usual
modesty, "The coat has always attracted women, but I have usually
been in it."
Better than words our illustration, snapped by Swank through the eye
of "Dr. Pease," gives an idea of the simple beauty of the Klinka
summer-furs. Though she has thrown aside her oomiak she is plainly
apprehensive. Something is in the air, she knows not what.
Public-domain text, read in full here on John Shaqi.
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