My Wife and I; Or, Harry Henderson's History — John Shaqi
My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
Our pastor was a good man, who wrote a kind of smooth, elegant,
unexceptionable English; whose measured cadences and easy flow, were, to
use the scripture language, as a "very lovely song of one that hath a
pleasant voice, and can play sweetly upon an instrument." I heard him as
one hears murmurs and voices through one's sleep, while my spirit went
everywhere under the sun. I traveled in foreign lands, I saw pictures,
cathedrals; I had thrilling adventures and hair-breadth escapes; formed
strange and exciting acquaintances; in short, was the hero of a romance,
whose scenes changed as airily and easily as the sunset clouds of
evening. So really and so vividly did this supposititious life excite me
that I have actually found myself with tears in my eyes through the
pathos of these unsubstantial visions.
It was in one of the lulling pauses of such a romance, while I yet heard
the voice of our good pastor proving that "selfishness was the essence
of moral evil," that I lifted up my eyes, and became for the first time
conscious of a new face, in the third pew of the broad aisle below me.
It was a new one--one that certainly had never been there before, and
was altogether just the face to enter into the most ethereal perceptions
of my visionary life. I started with a sort of awakening thrill, such,
perhaps, as Adam had when he woke from his sleep and saw his Eve. There,
to be sure, was the face of my dream-wife, incarnate and visible! That
face, so refined, so spiritual, so pure! a baptized, Christianized Greek
face! A cross between Venus and the Virgin Mary! The outlines were
purely, severely classical, such as I have since seen in the Psyche of
the Naples gallery; but the large, tremulous, pathetic eyes redeemed
them from statuesque coldness. They were eyes that _thought_, that
looked deep into life, death, and eternity--so I said to myself as I
gazed down on her, and held my breath with a kind of religious awe. The
vision was all in white, as such visions must be, and the gauzy crape
bonnet with its flowers upon her head, dissolved under my eyes into a
sort of sacred aureole, such as surrounds the heads of saints. I saw
her, and only her, through the remaining hour of church. I studied every
movement. The radiant eyes were fixed upon the minister, and with an
expression so sadly earnest that I blushed for my own wandering
thoughts, and began to endeavor to turn my mind to the truths I was
hearing told; but, after all, I thought more about her than the
discourse. I saw her search the hymn-book for the hymn, and wished that
I were down there to find it for her. I saw her standing up, and looking
down at her hymns with the wonderful eyes veiled by long lashes, and
singing--
"Call me away from earth and sense,
One sovereign word can draw me thence,
I would obey the voice divine,
And all inferior joys resign."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account