It is hard to explain. In the same way that the letters _x_ and _y_ possess a significance for the mathematician, so for the cricketer these bare figures are a symbol and a story. We can clothe the skeleton with flesh. We can picture the scene. We know what the score-board looked like when that seventh wicket fell; we can gauge the value of Strudwick’s 5 not out. When we read, “Ducat, l.b.w. b. Woolley 12”; we can imagine the emotion of the man sitting at the end of the free seats below the telegraph. “If only Ducat can stay in,” he had thought, “Surrey may win yet. There are several people who might stop at the other end while he gets the runs.” But the umpire’s finger rose, and we know the depression with which he wrote on the thumb-marked score-card “l.b.w. b. Woolley 12,” and then pulled himself together, prepared to watch “in a dream untroubled of hope” the inevitable end delayed for a few minutes by Smith and Rushby. That for the games one has not seen. But for those that one has seen,--for them, _Wisden_ indeed becomes almost an autobiography. Our cricket life, or rather the passive, the contemplative side of it, is written there; and I am not sure that the receptive side is not the more important. We only write, I sometimes think, to bring ourselves closer to great writing; so that through our own fumblings after self-expression we shall come to an understanding of the difficulties that great writers have had to face, and a consequent appreciation of their triumphs. Certainly had we not spent hours of scratching at a net, learning to get our left shoulder over to the line of ball, we should not feel so intensely the thrill of pleasure that Spooner’s off-drive brings to us. It may well be that the hours of spent energy are an apprenticeship for the intellectual calm of an afternoon at Lord’s. Not always calm, though. Cricket, for all its leisure, is in its long-drawn expectation the most emotional of games. It has not, doubtless, any equivalent for the delirium of a try at Twickenham. But then cricket does not aim at that particular sensation. It is drama, not melodrama. Its atmosphere is heavily charged, one’s nerves are geared high, one fidgets awkwardly in one’s seat. The effect is one of continuously suspended action. One is always wondering. As often as not the tension passes. The climax is never reached. I have watched a good deal of cricket, but I have seen only four, five, at the most six, big finishes.