Not only is mathematics independent of us and our thoughts, but in another sense we and the whole universe of existing things are independent of mathematics. The apprehension of this purely ideal character is indispensable, if we are to understand rightly the place of mathematics as one among the arts. It was formerly supposed that pure reason could decide, in some respects, as to the nature of the actual world: geometry, at least, was thought to deal with the space in which we live. But we now know that pure mathematics can never pronounce upon questions of actual existence: the world of reason, in a sense, controls the world of fact, but it is not at any point creative of fact, and in the application of its results to the world in time and space, its certainty and precision are lost among approximations and working hypotheses. The objects considered by mathematicians have, in the past, been mainly of a kind suggested by phenomena; but from such restrictions the abstract imagination should be wholly free. A reciprocal liberty must thus be accorded: reason cannot dictate to the world of facts, but the facts cannot restrict reason's privilege of dealing with whatever objects its love of beauty may cause to seem worthy of consideration. Here, as elsewhere, we build up our own ideals out of the fragments to be found in the world; and in the end it is hard to say whether the result is a creation or a discovery. It is very desirable, in instruction, not merely to persuade the student of the accuracy of important theorems, but to persuade him in the way which itself has, of all possible ways, the most beauty. The true interest of a demonstration is not, as traditional modes of exposition suggest, concentrated wholly in the result; where this does occur, it must be viewed as a defect, to be remedied, if possible, by so generalising the steps of the proof that each becomes important in and for itself. An argument which serves only to prove a conclusion is like a story subordinated to some moral which it is meant to teach: for æsthetic perfection no part of the whole should be merely a means. A certain practical spirit, a desire for rapid progress, for conquest of new realms, is responsible for the undue emphasis upon results which prevails in mathematical instruction. The better way is to propose some theme for consideration--in geometry, a figure having important properties; in analysis, a function of which the study is illuminating, and so on. Whenever proofs depend upon some only of the marks by which we define the object to be studied, these marks should be isolated and investigated on their own account. For it is a defect, in an argument, to employ more premisses than the conclusion demands: what mathematicians call elegance results from employing only the essential principles in virtue of which the thesis is true. It is a merit in Euclid that he advances as far as he is able to go without