Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
"As regards Goodrich's accounts of the relations between him and me, it
is funny enough to see him taking the airs of a patron; but I do not
mind it in the least, nor feel the slightest inclination to defend
myself or be defended. I should as soon think of controverting his
statement about my personal appearance (of which he draws no very lovely
picture) as about anything else that he says. So pray do not take up the
cudgels on my behalf; especially as I perceive that your recollections
are rather inaccurate. For instance, it was Park Benjamin, not Goodrich,
who cut up the 'Storyteller.' As for Goodrich, I have rather a kindly
feeling towards him, and he himself is a not unkindly man, in spite of
his propensity to feed and fatten himself on better brains than his own.
Only let him do that, and he will really sometimes put himself to some
trouble to do a good-natured act. His quarrel with me was, that I broke
away from him before he had quite finished his meal, and while a portion
of my brain was left; and I have not the slightest doubt that he really
felt himself wronged by my so doing. Really, I half think so too. He was
born to do what he did, as maggots to feed on rich cheese."
There is something too little generous in this. The record shows beyond
any cavil that Goodrich was the first and most constant friend of
Hawthorne in the way of helping him to get his work before the public;
he was also interested in him, thoughtful for him, and gave him hack
work to do, which, though it be a lowly is a true service, however
unwelcome the task may be in itself; and he used such influence as he
had in introducing Hawthorne to other employers and to publishers.
During these twelve years it may fairly be said that Goodrich was the
only person, not a relative, who cared for Hawthorne's genius or did
anything for him until Park Benjamin appeared as a second in the
periodical world and Horatio Bridge came to the rescue as a business
friend. It is true that Goodrich did not succeed in exploiting his
author; but he paid him the market price and gave him his chance, and
after all those days were not for Goodrich what our days have since
become for men of his calibre. Advertisement was not then the tenth
Muse.
Public-domain text, read in full here on John Shaqi.
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