The shelf for china is part of the seat: this is of wood, either enamelled or polished, and should be carefully arranged; the tall jar containing grasses at the end of the shelf in the sketch is really in the corner in my room, and fills up the space between the curtain and the wall, and in the opposite corner from the frieze-rail hangs one of Benson’s admirable copper lamps with a copper shade; this throws the light down on the seat, and enables one to read there, should one wish to do so, the cushioned corner below the lamp being perhaps the most comfortable spot in the whole seat. Just on the other side of the arms, and below the top of them, I had small tea-cup shelves put; they shut down completely, and when not in use are scarcely visible, but they make a great deal of difference to one’s comfort; for one can rest one’s cup there easily, and in consequence this corner makes a favourite spot during the ceremony of afternoon tea, which we always hold in the morning-room, our present drawing-room being only used when lighted up, as it is dark and depressing, because of the numerous trees by which we are surrounded, and that make it unbearable until the lamps are lighted and the yellow and white decoration stands out in the admirable manner in which these two colours always do when once artificial light falls upon them. The big pillows are in yellow, deep-red, and electric turquoise, and were bought at Maple’s for 16_s._ 11_d._ each; but those who really possess numerous pillows, soft and comfortable enough to lean against, but hideous to contemplate, will be glad to hear that Maple sells these frilled silk covers ready to slip on, which would transform in a moment the most frightful pillow ever presented to an unfortunate bride, who yet dare not do away with the kind gift of a relative who may be has not gone with the times or holds the stern opinion that a gift one makes oneself is worth any amount of presents bought in a shop: so it is, if the work be present day work, and really artistic; but the beaded cushion or (the worst development of all) that covered with crazy patchwork, still exists unfortunately, and may exist, blamelessly and usefully, if slipped into one of these covers, which can be whipped off in a moment, should the donor appear unexpectedly, or be even pointed out as our pious endeavour to preserve the ‘beautiful’ work by a cover one does not mind if one spoils: an excellently plausible excuse that spares the feelings of the maker and our own sensitive optics at the same time.