Gooseberries burst at the wrong end and smother you; melons--as
the nigger boy discovered--make your ears sticky; currants, when
you have removed the skin and extracted the seeds, are
unsatisfying; blackberries have the faults of raspberries without
their virtues; plums are never ripe. Yet all these fruits are
excellent in their season. Their faults are faults which we can
forgive during a slight acquaintance, which indeed seem but
pleasant little idiosyncrasies in the stranger. But we could not
live with them.
Yet with the orange we do live year in and year out. That speaks
well for the orange. The fact is that there is an honesty about
the orange which appeals to all of us. If it is going to be bad--
for even the best of us are bad sometimes --it begins to be bad
from the outside, not from the inside. How many a pear which
presents a blooming face to the world is rotten at the core. How
many an innocent-looking apple is harbouring a worm in the bud.
But the orange has no secret faults. Its outside is a mirror of
its inside, and if you are quick you can tell the shopman so
before he slips it into the bag.
Signs of Character
Wellington is said to have chosen his officers by their noses and
chins. The standard for them in noses must have been rather high,
to judge by the portraits of the Duke, but no doubt he made
allowances. Anyhow, by this method he got the men he wanted. Some
people, however, may think that he would have done better to have
let the mouth be the deciding test. The lines of one's nose are
more or less arranged for one at birth. A baby, born with a snub
nose, would feel it hard that the decision that he would be no
use to Wellington should be come to so early. And even if he
arrived in the world with a Roman nose, he might smash it up in
childhood, and with it his chances of military fame. This, I
think you will agree with me, would be unfair.
Now the mouth is much more likely to be a true index of
character. A man may clench his teeth firmly or smile
disdainfully or sneer, or do a hundred things which will be
reflected in his mouth rather than in his nose or chin. It is
through the mouth and eyes that all emotions are expressed, and
in the mouth and eyes therefore that one would expect the marks
of such emotions to be left. I did read once of a man whose nose
quivered with rage, but it is not usual; I never heard of anyone
whose chin did anything. It would be absurd to expect it to.
But there arises now the objection that a man may conceal his
mouth, and by that his character, with a moustache. There arises,
too, the objection that a person whom you thought was a fool,
because he always went about with his mouth open, may only have
had a bad cold in the head. In fact the difficulties of telling
anyone's character by his face seem more insuperable every
moment. How, then, are we to tell whether we may safely trust a
man with our daughter, or our favourite golf club, or whatever we
hold most dear?
Public-domain text, read in full here on John Shaqi.
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