Angelique blushed in the dense twilight, her face taking childlike lines
of apprehension. Her heart sank, and she suffered for him vicariously
in advance. Her sensibility to other presences was so keen that she had
once made it a subject of confession. "Father, I cannot feel any
separateness from the people around me. Is this a sin?" "Believe that
you have the saints and holy angels also in your company, and it will be
no sin," answered Father Olivier.
Though she was used to these queer demonstrations of men, her conscience
always rebuked her for the number of offers she received. No sooner did
she feel on terms of excellent friendliness with any man than he began
to fondle her hand and announce himself her lover. It must be as her
tante-gra'mere said, that girls had too much liberty in the Territory.
Jules Vigo and Billy Edgar had both proposed in one day, and Angelique
hid herself in the loom-house, feeling peculiarly humbled and ashamed to
face the family, until her godmother had her almost forcibly brought
back to the usual post.
"I love you," said Rice Jones.
"But please, no, Monsieur Zhone, no."
"I love you," he repeated, compressing his lips. "Why 'no, Monsieur
Zhone, no'?"
"I do not know." Angelique drew her hand back and arranged her roses
over and over, looking down at them in blind distress.
"Is it Pierre Menard?"
She glanced up at him reproachfully.
"Oh, monsieur, it is only that I do not want"--She put silence in the
place of words. "Monsieur," she then appealed, "why do men ask girls who
do not want them to? If one appeared anxious, then it would be
reasonable."
"Not to men," said Rice, smiling. "We will have what is hard to be got.
I shall have you, my Angelique. I will wait."
"Monsieur," said Angelique, thinking of an obstacle which might block
his way, "I am a Catholic, and you are not."
"Priests don't frighten me. And Father Olivier is too sensible an old
fellow to object to setting you in the car of my ambition."
They stood in silence.
"Good-night, Monsieur Zhone," said Angelique. "Don't wait."
"But I shall wait," said Rice.
He had bowed and turned away to the currant hedge, and Angelique was
entering her father's lawn, when he came back impetuously. He framed her
cheeks in his hands, and she could feel rather than see the power of
possession in his eyes.
"Angelique!" he said, and the word rushed through her like flame. She
recoiled, but Rice Jones was again in his father's garden, moving like a
shadow toward the house, before she stirred. Whether it was the trick of
the orator or the irrepressible outburst of passion, that appeal
continued to ring in her ears and to thrill.
More disturbed than she had ever been before by the tactics of a lover,
Angelique hurried up the back gallery steps, to find Peggy Morrison
sitting in her chamber window, cross-legged, leaning over with one palm
supporting a pointed chin. The swinging sashes were pushed outward, and
Peggy's white gown hung down from the broad sill.
Public-domain text, read in full here on John Shaqi.
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