benefactors, within the chapel of St. John the Baptist in the south
part of this cathedral; as also for the soul of Antony Beck, Patriarch
of Jerusalem, and Bishop of Durham. And further directed that out
of the revenue of these messuages, &c., there should be a yearly
allowance to the said Dean and Chapter, to keep solemn processions in
this church on the several days of the invention and exaltation of the
Holy Cross, as also of St. John Baptist; wearing their copes at those
times in such sort as they used on all the great festivals; and
likewise out of his high devotion to the service of God, and that it
should be the more venerably performed therein, he gave divers costly
vestments thereto, some whereof were set with precious stones,
expressly directing that in all masses wherein himself by particular
name was to be commended, as also at his anniversary, and in those
festivals of the Holy Cross, St. John Baptist, and St. Laurence the
Deacon, they should be used. And, moreover, out of his abundant piety
he founded a certain Oratory on the south side of the Choir in this
cathedral, towards the upper end thereof, to the honour of God, our
Lady, St. Laurence, and All Saints, and adorned it with the images
of our blessed Saviour, St. John Baptist, St. Laurence, and St. Mary
Magdalene; so likewise with the pictures of the celestial Hierarchy,
the joys of the blessed Virgin, and others, both in the roof about
the altar, and other places within and without; in which Oratory the
chantry before mentioned was placed, and the said anniversary to be
kept. And, lastly, in the south wall, opposite to the said Oratory,
erected a glorious tabernacle, which contained the image of the
said blessed Virgin, sitting as it were in childbed; as also of our
Saviour, in swaddling clothes, lying between the ox and the ass, and
St. Joseph at her feet; above which was another image of her, standing
with the child in her arms. And on the beam, thwarting from the upper
end of the Oratory to the before-specified childbed, placed the
crowned images of our Saviour and his mother sitting in one
tabernacle; as also the images of St. Katharine and St. Margaret,
virgins and martyrs; neither was there any part of the said Oratory,
or roof thereof, but he caused it to be beautified with comely
pictures and images, to the end that the memory of our blessed Saviour
and His saints, especially of the glorious Virgin, His mother, might
be always the more famous: in which Oratory he designed that his
sepulture should be."
[Illustration: JOHN FISHER, BISHOP OF ROCHESTER. _After Holbein_.
_British Museum_.]
[Illustration: ST. MATTHEW. _View of a Mediaeval Scriptorium. _From a
MS. of a Book of Prayers. 15th Century._ _British Museum, Slo. 2468._]
[Illustration: A REQUIEM MASS. _From a MS. of a Book of Prayers, 15th
Century._ _British Museum, Slo. 2468._]
[Illustration: SINGING THE PLACEBO. _From a MS. of Hours of the
Virgin, &c. Fifteenth Century. British Museum, Harl. 2971._]
Public-domain text, read in full here on John Shaqi.
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